Paul McCartney in 2003, playing the same guitar he used for recording "Yesterday." Photo by Chris Floyd, used by permission.
Robert Anton Wilson was not much of a Beatles fan (or even a pop music fan), but Robert Shea certainly was. And certainly there are RAW fans who are huge Beatles fans, such as John Higgs and myself. (Here is John's Paul McCartney playlist, and mine.)
While we wait for the new McCartney III album to come out in a few days, I thought I would direct your attention to Ian Leslie's piece, "64 Reasons To Celebrate Paul McCartney." I think it may be the best piece of music criticism I've ever read; I hope Ian Leslie, whom I never heard of until yesterday, turns it into a book. Even the links in the article are good, such as Leslie's "deep cuts" playlist on Spotify.
Here is my reaction to couple of Leslie's statements:
I’ve always wondered what I would say if I saw him in the street around there. [Leslie's a Brit, so he gets to walk by MPL Communications every so often, and brag about it a little -- Tom]. I think about which obscure song or album I would pick to tell him was my favourite, just so he knew I wasn’t some casual fan.
I have a recurring fantasy that I somehow find myself in an elevator with McCartney, and I start softly singing "Did We Meet Somewhere Before?," a McCartney tune that as I far as I know has still not officially released.
McCartney’s reputation has never fully recovered from the shredding it took when The Beatles broke up. He is still compared unfavourably to his most important creative partner. Lennon is soulful, deep, and radical; McCartney is shallow, trivial and bourgeois. That dualism, which took hold in 1970 and was reinforced by Lennon’s horribly premature death, still holds sway. Probably if you asked most people who know a little about The Beatles to say who they found most interesting, John would be the most common answer. If you surveyed Beatles nerds I suspect they would be more likely to say Paul, since the more you learn about the band you more stunned you are by what he brought to it.
[This is not a "reaction," as I wrote it in April as a letter of comment to William Breiding's fanzine, "Portable Storage," but notice that as a "Beatles nerd," I am thinking along the same lines, just as Leslie suggested. This is in response to a discussion in William's zine about favorite Beatles:]
But I wonder how many people are like me. I have not a fixed favorite Beatle all of my life; my choice has changed over the years. As a teen, my favorite was George. He seemed to be kind of an underdog, only allowed a couple of songs per album, and "All Things Must Pass" was the first really good solo album. Then, too, the organized the charity concert for Bangla Desh, which coaxed a great live performance out of Bob Dylan.
Then John Lennon was a favorite for awhile -- he seemed like the intellectual of the bunch, the one who seemed the most interesting, and the one whose songwriting seemed to hold up the best after the Beatles broke up.
But as I aged, I decided Paul was my favorite. In many ways, he seems the most adult of the Beatles, the one who valued children and treated them well, the one who was loyal to women and seemed to treat them well, too, and the one who always seemed to be working hard at his art. He has been the one who has regularly toured, allowing fans to see him, and who has worked all the time on new recording projects, and gone out of his way to challenge himself with different approaches -- he even made electronic music albums that no one noticed for a long time. I finally got to see him live in Cleveland a couple of years ago.