RAW letter to William Burroughs

William Burroughs (Creative Commons, source).

Something I had missed: RAW biographer Prop Anon posts a letter from Robert Anton Wilson to William Burroughs, then writes commentary. If you are a serious RAW fan. you should get a copy of Prop's book.

Hat tip, Jesse Walker.

Prometheus Awards announced

 

[As I have mentioned before, I am an active member of the Libertarian Futurist Society. RAW was the presenter for the first Prometheus Award and Robert Shea was active in the Libertarian Futurist Society. -- The Management]

The Libertarian Futurist Society, a nonprofit all-volunteer international organization of freedom-loving science fiction fans, has announced Prometheus Award Best Novel and Best Classic Fiction winners.

The 45th annual Prometheus Awards will be presented online in a Zoom awards ceremony open to the public, most likely on a Saturday or Sunday afternoon in late August or early September. David Friedman, an SF/fantasy novelist and a leading economist and libertarian thinker, will be a speaker and guest presenter.

The Prometheus Award for Best Novel

In the Belly of the Whale, by Michael Flynn, won the 2025 Prometheus Award for Best Novel for novels published in 2024.

The posthumous work, published by CAEZIK SF & Fantasy, explores the complex lives, work, challenges and conflicts of 40,000 human colonists aboard a large asteroid ship two centuries into a projected eight-century voyage to Tau Ceti.

With its intricate world-building, believable characters in conflict, and profound grasp of human nature, the epic social novel freshens the SF subgenre of the multi-generational colony ship while raising deeper questions about the enormous difficulties of our species expanding beyond our solar system.

Beyond the usual technological and interpersonal issues of maintenance and survival that naturally arise, the colonists suffer from a dysfunctional bureaucracy, crew class divisions, and a traditional shipboard command structure that has calcified into an authoritarian hereditary aristocracy with enforced eugenics and a loss of focus on the mission goal.

Flynn’s kaleidoscopic novel is a wise cautionary tale and poignant libertarian tragedy about the underestimated challenges facing our species as we dream of someday establishing a beachhead of human civilization beyond our solar system.

Without sustaining the culture of liberty, self-reliance and voluntary cooperation that helped lift Earth civilizations to unprecedented levels of knowledge and prosperity, humanity may be doomed even if such ships reach their distant destinations.

Reflecting Flynn’s well-earned reputation for a high level of craftsmanship and a wintry poetic style, his last novel is an ambitious saga of power, decay and revolution embodying an enduring theme: The price of freedom (and survival) is eternal vigilance.

Visit the Prometheus blog for a full review of In the Belly of the Whale that illuminates how it fits the distinctive dual focus of the Prometheus Award on quality and liberty.

In the Belly of the Whale was the last novel Flynn wrote before his death in 2023 at 75. Flynn previously won two Prometheus Awards for Best Novel for In the Country of the Blind (in 1991) and Fallen Angels (in 1992), the latter co-written with Larry Niven and Jerry Pournelle.

The other 2024 Best Novel finalists were Alliance Unbound, by C. J. Cherryh and Jane S. Fancher (DAW); Cancelled: The Shape of Things to Come, by Danny King (Annie Mosse Press); Beggar’s Sky, by Wil McCarthy (Baen Books); and Mania, by Lionel Shriver (HarperCollins Publishers).

The Prometheus Hall of Fame for Best Classic Fiction

Orion Shall Rise, a 1983 novel (Timescape) by Poul Anderson, won the 2025 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.

First nominated for the Prometheus Award in 1984, when it was a Best Novel finalist, Orion Shall Rise explores the corruptions and temptations of power and how a free society might survive and thrive after a post-nuclear-war apocalypse on a largely depopulated Earth.

A nearly pure example of social scientific world-building in its plausible economies, polities and cultures, the novel depicts four renascent but very different civilizations in conflict over the proper role of technology. Among them: the Maurai, a constitutional monarchy derived from Polynesian societies; the Mong, a feudal society descended from Russian, Mongolian and Chinese refugees who conquered much of North America; and Skyholm, a technologically advanced aristocracy centered on France and dominated by a lighter-than-air city structure.

Perhaps most intriguing is the Northwest Union, a decentralized and strongly technophilic society that extends roughly from Oregon to Alaska: a culture founded in resistance to the Mong invasion. The Union’s minimal central government, voluntary Lodges and other strong tendencies to libertarianism embody one of Anderson’s more attractive portrayals of this idea.

Avoiding a straight-forward clash of good people with evil, the story creates believable and sympathetic characters representing the best of each culture. Anderson plays fair to all sides, a hallmark of the work of the SFWA Grand Master.

Ultimately, Orion Shall Rise offers a hopeful vision of forward-thinking visionaries who dream of reaching for the stars while trying to revive the forbidden nuclear technology that destroyed their previous civilization.

Visit the Prometheus blog for a full review of Orion Shall Rise that illuminates how it fits the distinctive dual focus of the Prometheus Award on quality and liberty.

Anderson (1926-2001), the first author to receive a Special Prometheus Award for Lifetime Achievement in 2001, was a major American science  fiction writer who won the Hugo Award seven times, the Nebula Award three  times and the Prometheus Award seven times (including this year’s award).

This is Anderson’s fifth work to be inducted into the Prometheus Hall of Fame, following Trader to the Stars (in 1985), The Star Fox (in 1995), “No Truce with Kings” (in 2010) and “Sam Hall” (in 2020.)

The other Prometheus Hall of Fame finalists were “As Easy as A.B.C.,” a 1912 story by Rudyard Kipling; ”The Trees," a 1978 song by the Canadian rock group Rush; and Singularity Sky, a 2003 novel (Ace Books) by Charles Stross.

Prometheus Awards History

The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power, favor cooperation over coercion, expose the abuses and excesses of coercive government, and/or critique or satirize authoritarian systems, ideologies and assumptions.

Above all, the Prometheus Awards strive to recognize speculative fiction that champions individual rights, based on the moral/legal principle of non-aggression as the ethical and practical foundation for peace, prosperity, progress, justice, tolerance, mutual respect, civility and civilization itself.

All LFS members have the right to nominate eligible works for all categories of the Prometheus Awards, while publishers and authors are welcome to submit potentially eligible works for consideration using the form linked from the LFS website’s main page at www.lfs.org

While the Best Novel category is limited to novels published in English for the first time during the previous calendar year, Hall of Fame nominees — which must have been published, performed, broadcast or released at least 20 years ago — may be in any narrative or dramatic form, including novels, novellas, stories, films, television series or episodes, plays, musicals, graphic novels, song lyrics, or verse.

The Best Novel winner receives a plaque with a gold coin, and the Hall of Fame winner, a plaque with a smaller gold coin.

Update

I have a wrist fracture. Blogging may be a bit light for a little while.

News from Bobby Campbell

Hurt my wrist so this will have to be short, but please see Bobby Campbell's latest news. Tales of Illuminatus, Maybe Day, music news and more! 

'Vineland' online reading group, week two

Vaslav Nijinsky in his rose costume for 'La Spectre de la Rose'

This week: Chapter 2, pg. 14-21 

By ERIC WAGNER
Special guest blogger 

Attitudes towards mental health have changed since 1984. The phrase “laughing-academy outpatient” (pg. 14) probably would not occur on the news in 2025.  The discussion of the personality which prefers jumping out of windows reminds me of Nijinsky’s leap out the window at the end of the ballet La Spectre de la Rose choreographed by Fokine. Bob Wilson discusses this leap in Prometheus Rising. That ballet portrays another dream narrative, when a young lady (about Prairie’s age) comes home from her first dance with her first rose, and she dreams of dancing with the rose. 

Isaiah Two Four’s idea about a gun themed amusement park seems to presage the rise of Republican ad’s featuring politicians firing guns and Christmas cards featuring their armed families.  

I like the way Pynchon creates fictitious movies in the novel, as well as the way he gives the dates for real movies. 

How do you read?

I've enjoyed the responses to yesterday's post.  If you read Brian Dean's comment, he writes, " I tend to have several tomes on the go at once, which I dip into and read over a long period, rather than "Wham bam thank you ma'am, my quota sorted for the week!" and then gives a long list of books. (Alissa Nutting one of the authors he mentions, used to live in Cleveland, and talked to my book club about Tampa shortly after it came out. It's the only book of hers I've read.) 

I wasn't clear on how many books Brian will read at the same time, but it sounds like a lot.

I typically have 3-4 books going at the same time, although I typically concentrate on finishing one. I just finished Inventing the Renaissance by Ada Palmer (it's due today and the library won't let me renew it, so I had to get it done.) I am currently reading Platinum Pohl by Frederik Pohl (essentially a selected stories) and Sell More Books! Book Marketing and Publishing for Low Profile and Debut Authors: Rethinking Book Publicity after the Digital Revolutions by J. Steve Miller. Also the two online reading group works, Vineland by Thomas Pynchon and the Testament comic book series. 

I'm pretty sure Mark Brown usually has several books going and in fact keeps them in separate rooms of the house. I am mostly sitting in my favorite chair in the living room, though I will sometimes read in the bedroom, on a plane, etc. I go back and forth from paper books to Kindle. I have also been known to read entire books on the phone; that's what I had to do with Tampa, mentioned above, it was the only way I could read it on short notice before my book club meeting. 

While I have a library of paper books at home, I have tended to whittle it down to the essentials. I have hundreds of Kindle ebooks, mostly bought on sale. 

I am on Goodreads as "Tomj." 

What we read last month

 

What I read in June:

The KLF: Chaos, Magic, and the Band Who Burned a Million Pounds, John Higgs. This is the updated version with the thousands of words of new footnotes, a good excuse to read it again. Some comments here. 

Original Sin: President Biden's Decline, Its Cover-Up, and His Disastrous Choice to Run Again, Jake Tapper and Alex Thompson. I'm told Jill Biden has instructed Biden diehards not to read the book.

Lake of Darkness, Adam Roberts. A horror story about black holes, pretty well done. Mentioned in this blog post. 

Eight Million Ways to Die, Lawrence Block. I have been reading all of the Matt Scudder novels. This is the fifth in the series. 

What RAW fan  Mark Brown read in June (I have myself read the Silverberg novel more than once)

The Divine Invasion by Philip K. Dick  6/2   

A Field Guide to Getting Lost by Rebecca Solnit  6/6   

A Time of Changes by Robert Silverberg 6/24   

Thinking, Fast and Slow by Daniel Kahneman  6/30

Pittsburgh Maybe Day 2025: Meet the RAW bloggers

Bobby Campbell has asked people to hold in person events on July 23 this year for Maybe Day. 

Bobby is holding a major event on the East Coast, the free Wilmington Comic Fest from 5-9 p.m. July 23 at The Queen Wilmington in Wilmington, Delaware. 

This seems like an excellent event, but I just can't be present. So instead, I've arranged to meet Apuleius Charlton, of the Jechidah blog, who also can't make it to Wilmington. We will meet for dinner at 6 p.m. July 23 at Church Brew Works, 3525 Liberty Ave. in Pittsburgh. Other RAW fans are welcome to join us.

"I think RAW would approve of meeting in a brewery inside a church," Apuleius says. 

So now there are two Maybe Day events, and I'll announce others as they become available. 

Santa Cruz weirdness, Neil Young edition

The Ducks: From left, Johnny Craviotto, Bob Mosley, Jeff Blackburn and Neil Young. (Creative Commons photo, via Wikipedia.) 

Santa Cruz is not a particularly large California city (about 63,000 people) but it has its share of weirdness. For one thing, Robert Anton Wilson lived there for many years in the last years of his life.

I have been listening to a lot of Neil Young lately (my favorite albums so far are Harvest and Rust Never Sleeps) and I recently read about the odd story of The Ducks, a short-lived summer of 1977 rock band that featured Neil Young and three lesser-known musicians. The Wikipedia article details various oddities, such as the fact that Neil Young's contract with Crazy Horse said he could only tour with them, so The Ducks could only play in Santa Cruz and could not leave the city to tour. Young tried to live in Santa Cruz but suffered important losses in a burglary, one factor  that apparently helped spark his exit from the band.

I want to live in a town where I am in a bar with a live band, and I suddenly notice that the bar band has a guy who looks and sounds a lot like Neil Young. 

Is Trump hampering SMI2LE?

Timothy Leary in 1970 (public domain photo).

Richard Hanania, apparently commenting on the Trump administration's attacks on research funding, science, the university system, etc., boldface mine: "The idea that 'let's just shake things up and see what happens' might have made sense at one point, but it's become increasingly clear that with a movement like this, the worst will rise to the top, as will those whose instincts and ideas are closely aligned to right-wing twitter and the uneducated and geriatric Republican TV watcher. This is not how you get to genetic engineering, radical life extension, and space travel." (Source, item 14).

The Peter Thiel interview Hanania references deals with SMI2LE topics. 

Ada Palmer's humility on opinions

I have been reading the new Ada Palmer nonfiction history book, Inventing the Renaissance: The Myth of a Golden Age. I was surprised to come to a chapter that reminded me of RAW. 

The book has a short chapter, "Are You Remembering Not to Believe Me?" 

Here is a section from the chapter:

"At this point I must remind you that you promised to read this section keeping in mind that Ada Palmer started studying the Renaissance because she was excited by how the First World War shaped twentieth-century literature and Freud's death instinct. The shelf this book came from had ten other books which all agree the classical revival was core to the Renaissance, but which will give different versions of its cause. Most of them are also right."

While the book has many opinions, it also gives many examples of controversies in which there are well-informed historians on both sides, e.g. the character of Savanarola, what Lucrezia Borgia was like, etc. This is unusual compared to the history books I usually read, which typically have the author telling you what to think in any given controversy. 

Compare with the document at the front of TSOG, in which RAW offers a "Contract" with the reader, e.g. in part, "2. Readers must warrant and give assurance that they will not believe or disbelieve any part of parts of this book until they have give some time to careful examination of such a part or parts; and that they will file everything herein under 'maybe' until and unless slowly arriving at 'true' or 'false'."

'Vineland' reading group, Chapter One

 

Zoyd Wheeler AI image generated by Brisa and Clara

This week: pages 3 – 13 (Penguin edition)

By OZ FRITZ

Special guest blogger

“Gotta do what you can just to keep your love alive”

– Jackson Browne, Running On Empty

“Quite simply, one of those books that will make this world – our world, our daily chemical-preservative, plastic-wrapped bread – a little more tolerable, a little more human”

– Frank McConnell, L.A. Times Book Review on Vineland

Reading Vineland feels like eating comfort food to me. Not because it goes down easily or has a straight-ahead plot, far from it. Though much friendlier to digest than the Pynchon Epics, nevertheless, it still requires more than average attention to follow all the plot twists and turns and the constantly shifting  time perspective. It takes place in 1984, but with many flashbacks to the ‘60s or 70s and occasionally a

look back into earlier times for background context. It seems, sometimes, to have flashbacks within flashbacks. This period piece comes chocked full of extensive cultural references to recreate the mood and ambience of that era. Trekkies, this is for you! Though I often say, “nostalgia ain’t what it used to be”, the nostalgia within these pages comforts me.

Vineland proves without a doubt that a book can be both highly enjoyable and didactic. Pain management seems one of its great lessons/transmissions frequently coming through the delicious, but often dry humor that pervades these pages like banana peels in silent films. The opening quote from Johnny Copeland reveals the first pun: cope + land. How do we cope with this land in these crazy times? But I get ahead of myself.

I started reading Thomas Pynchon after Eric Wagner invited me to participate in a group about to start in on examining Against the Day. His pitch to me: “I think you’ll enjoy it.” Before accepting, I found and perused the beginning of it online. After reading the first couple of pages, I immediately said YES! I saw clearly that Pynchon uses a lexicon of associations and correspondences familiar to me. This surprised the heck out of me. The only other contemporary fiction writers using a similar lexicon I knew of were Robert Anton Wilson and EJ Gold.

The lexicon derives in part from Hermetic processes, James Joyce, Sufi-style thought like the 4th Way, and all the pop culture references. You don’t need to know any of that to enjoy the allegorical depth of the book. The interested and attentive reader will construct their own lexicon of connections possibly without realizing it. From the music references alone one can come up with a concordance of evocative imagery. These correspondences, associations, connections, inside jokes and “easter eggs” provide a non-verbal, telepathic-like form of communication.

Vineland is a fictional town on the coast of Northern California. Enough references to real places are given to roughly place it somewhere above Eureka. It’s believed Pynchon lived in the area for about a decade sometime during the 70s and 80s. He’s rumored to have spent time in Arcata which is slightly north of Eureka. Most, but not all of the locations in Vineland really exist.

I assert that Robert Anton Wilson had a more profound influence on Pynchon than appears commonly recognized. I have seen more than one resonance between Schrödinger’s Cat and Vineland; meaning Wilson strikes a note and Pynchon tunes into and amplifies the same vibration as if in a literary universe next door (maybe). Pynchon’s dedication to his parents that begins Vineland when transposed to Cabala = the Hebrew letter Daleth which has the English translation “door”. Looked at from the angle of Literary Alchemical Manuals, Vineland appears the universe next door to Schrödinger’s Cat.

RAW begins The Universe Next Door, which begins SC, with (allegedly) a quote from Jesus in The Gospel of Thomas: “Not until the male become female and the female becomes male shall ye enter the Kingdom of Heaven.” Along with Wilson the integration of female intelligence with male to lift off the Earth has been strongly advocated in recent times by Timothy Leary, James Joyce, Aleister Crowley, Gilles Deleuze and E.J. Gold, among others.

Meet Zoyd Wheeler as he wakes up to a new day. Zoyd reminds me of the character Zonker Harris from the comic strip Doonesbury. His “job” is to cross dress as a woman, jump through a window, and act crazy to continue collecting government benefits. Scenes of him interacting with real macho lumberjacks who themselves appear a touch more feminine than usual by being all gussied up emphasize the theme. He pulls out a ladies chain saw; observe the shaman in action surrounded by “men” i.e. earthbound domesticated primates:

“’Easy there cowgirl, now things’re just fine,’ the logger stepping back as Zoyd, he hoped demurely, yanked at a silk cord on a dainty starter pulley, and the ladies pearl-handled chain saw spun into action.” Going one level deeper, pearl corresponds with the moon, a traditional association with the feminine and one that Pynchon explores explicitly later on.

The window Zoyd crashes through, an annual televised tradition to collect benefits, represents the forces that oppose the integration of Female Intelligence, the resistance that has to be jumped through – unbalanced, destructive, fascist male energy; the kind that starts wars. Pynchon will directly connect penis with a gun more than once as we climb the vine. Window is the English translation of the Hebrew Ayin which corresponds to The Devil in the Tarot. This card represents unbridled male force which can be creatively used. TRP, as he gets signified on the internet (Thomas Ruggles Pynchon) gives a clear image of this male force opposition near the end of the chapter. The establishment where Wheeler jumps through the window in front of TV cameras is the Cucumber Lounge: “News-crew stragglers were picking up a few last location shots of the Cuke and its famous rotating sign, which Ralph Jr. was happy to light up early, a huge green neon cucumber with blinking warts, cocked at an angle that approached, within a degree or two, a certain vulgarity.”

Again, one level further: Cucumber Lounge, C + L = 38 = “To make a hole, hollow; to violate”; the alchemical process as it concerns the formation of bodies in the Higher Dimensions (Circuits 5 – 8 in Leary’s model). The creation of these bodies involves an accumulation of substances until they crystallize into a more stable form which isn’t easy. Prior to this crystallization, these accumulated substances can be taken, stolen or lost. This explains why Leary (a great TRP lover as has been mentioned) calls extended awareness in the higher circuits volatile. 38 signifies this “spiritual” substance getting lost or stolen. This theft, occurring either internally or externally, can often be traced to subtle or brutal unbalanced male force. A prominent theme in Vineland concerns this dichotomy or battle between unbalanced yang and receptive yin and the resolution in their marriage or partnership . . . or not. An image of this resolution begins Vineland with TRP’s dedication to his parents. This battle appears most evident between the two primary characters, Brock Vond and Frenesi Gates. Vond enters the picture in chapter 4, but is mostly spoken of in the third person until the end. Frenesi, frequently present by her absence (a Joycean technique I learned about from RAW) shows up in the first person at the beginning of chapter 6. Zoyd Wheeler, the protagonist in the first five chapters, exits stage left when Frenesi comes on set and doesn’t really substantially return until the end of the book.

Some further notes on chapter one: we meet another primary character, Zoyd and Frenesi’s daughter Prairie, in the second paragraph. Like her mother, Prairie’s presence gets introduced by her absence. She leaves a note saying she left with her friend Thapsia. To my recollection, which could be incomplete, Thapsia never gets mentioned again in the book. The name comes from a plant found in North Africa along the Mediterranean Sea and the Atlantic coast of Morocco and Portugal, thapsia, used in ancient medicine as a pain reliever. The chemical compound derived from it is currently in clinical trials for cancer treatment. It’s been shown to kill tumor cells.

Pairing Prairie with Thapsia underscores the pain management theme. Prairie will experience some of the deepest and most obvious pain in the novel with the search for her mother whom she never knew. The search for Mother in the archetypal sense appears a main theme of Vineland. Like Finnegans Wake, and probably many other profound works of literature, Pynchon introduces his main themes right away.

The squadron of blue jays stomping around the roof that morphed into carrier pigeons bringing subconscious messages to Zoyd in his dreams connects with Binah, the qabalistic sphere home to the Great Mother archetype through its correspondence with the color blue. This association, blue = Binah, gets affirmed when we learn that Frenesi has “eyes of blue painted blue” as Pynchon writes to emphasize their blueness. Both Frenesi’s mother Sasha and Prairie have startlingly blue eyes. Crowley as Aiwass describes Nuit, his Goddess figure as “a lambent flame of blue.” Pynchon connects blue in this way in other instances my favorite being when he randomly brings up: “from faraway Anaheim Stadium, came the sounds of a Blue Cheer concert” (p. 247). Heim is German for home making Anaheim the home of Ana connecting Blue Cheer with Joyce’s Mother archetype in Finnegans Wake, Anna Livia Plurabelle. All that being said, I don’t think that every time the color blue comes up that it necessarily points to Binah; skepticism and intuition seem integral to reading these semiotics.

Possible synchronicities: with Zoyd dressing in drag I find it significant that we start this voyage on the last day of Pride month. Yesterday, someone used colored chalk to draw a ladder-like hopscotch type of thing on the sidewalk by the kids area of the gym I go to. They captioned it: “climb the vine.” I have a gig in Fort Bragg on the northern California coast coming up on July 3 rd and 4th . It’s a little south of the novel’s titular location, but in the same relative neighborhood and physically the closest I’ve come to staying in Vineland. Pynchon is rumored to have lived in Fort Bragg for a spell. I’m there to do a live recording of a local band called Queer Country.

Fans of the original Star Trek series will love all the references to it throughout the book. These begin in the first chapter. The show Wheel of Fortune makes a pun on Zoyd’s last name and a tarot card at the end of this chapter. Vineland has been accurately called a black comedy. I find “black comedy” synonymous with “pain management.”

Next week: Please read chapter 2, pages 14 – 21.

Maybe Day is getting closer

Just a reminder that Maybe Day, July 23, is getting closer, and Bobby suggesting that everyone try to set up in person events this time. (See above for Bobby's event.)

Here's Bobby: "I'd very much like to encourage other Maybe Day events to be held around the world! Or if not events, maybe friendly gatherings, or even casual outings. Hell, just take a nice long walk and look for some quarters! Anything that brings the spirit of Maybe Logic out into the real world, in whatever way great or small, public or personal.

"If you are planning a public event, please feel free to share the details, so we can help promote it! Send Maybe Day event listings to weirdoverse@gmail.com."

I am kicking around some ideas, nothing to  announce yet.