Monday, October 16, 2017
A brand new Cosmic Trigger Play Newsletter from Meesh (i.e., Michelle Olley) is full of news. You can read the whole thing yourself, but here are salient news points:
-- There will be a "ritual mass burn" of money, Oct. 23 in London, details in the flyer above; and at this link. (Attending the event is free, but you are invited to bring cash to burn!)
-- A nonstop reading of the new novel The Sentence by Alistair Fruish, Oct. 27 in Northampton.
From the Fruish website: "The book is one long sentence entirely constructed of words of one syllable, with no punctuation. We have had very favourable comments from the handful of people who have read it so far. This is what John Higgs has said about it:
“Alistair Fruish’s monosyllabic vision is a trance-inducing ticket to an all too plausible near-future dystopia. It is a bleak, grinding, addictive joy that will restore your faith in writing. Absorbing, inspired and unlike anything you’ve ever read, The Sentence is a fully-formed celebration of the power contained in even the simplest of words.”
The reading will be conducted by Daisy Campbell, and Alan Moore is one the the readers (if the others are listed, I can't find them). Tickets and other details here. Tickets are about 5 pounds; other readings of the book are planned. One hopes the book becomes available in the U.S., sooner rather than later; if I can get details I will update this post.
-- The dream of bringing the Cosmic Trigger play to the U.S apparently is not dead.
From the newsletter: "Safe to say, there is interest in getting the Cosmic Trigger play over to the states. Mycelial spores have been planted and connections made that, with enough love and will, could result in making this dream a reality. More on this soon..."
Sunday, October 15, 2017
I have been to several Metropolitan Opera productions simulcast at movie theaters, but Saturday's production of The Magic Flute was perhaps the most vivid experience yet, with a production that employed puppets, costumes, lighting and other effects to produce a series of often startling scenes. (Blogger has suddenly lost the ability to upload photos today, but see the images and videos at the Metropolitan Opera's website. I have embedded an official Met video from YouTube.)
The Masonic elements of the opera seemed very strong; almost the entire second half is devoted to an initiation of the heroes. Robert Anton Wilson says the opera also has Illuminati ideas, and indeed there is much talk of enlightenment in the text and the use of light in the opera is itself symbolic. There were many suggestive symbols throughout the opera; the "three ladies" carried around masks that looked oddly like aliens. Did anyone else see this?
Saturday, October 14, 2017
UPDATE: After I wrote my post, Branka Tesla sent me this photo taken at sunset. She says, "The photo was taken on Wednesday (10/11) evening from my balcony in Berkeley/Claremont hills overlooking San Francisco. You can see a thick layer of smoke cap over SF Bay."
Fire in Simi Valley, California, in 2003. Wikimedia Commons photo
On Twitter California resident Ted Hand writes, "Fuuuuuck. Voluntary evacuation zone now two blocks away from my house. I'm not staying there, I'm in a safe place."
This blog probably has more readers in California than in any other state. California is a beautiful state and I am always happy when I have the chance to visit. Stay safe, everyone.
Friday, October 13, 2017
Matt Cardin is a writer, editor, English professor and RAW fan who has immersed himself in Wilson's works. He has a particular interest in horror fiction.
I've mentioned him occasionally in this space, but I missed his 2012 blog essay "Initiation by Nightmare: Cosmic Horror and Chapel Perilous" until I saw the Secret Transmissions link on Twitter.
Matt relates how he was plagued by sleep paralysis attacks in the 1990s and at first related it to cosmic horror, i.e. reading Lovecraft, Lovecraft criticism and authors influenced by Lovecraft. (Lovecraft was also an influence on Wilson, as many of you know).
"There was, however, another vocabulary I could have used, and it would have complemented the cosmic horrific one in mutually illuminating fashion. It was the vocabulary of consciousness change and high paranormal weirdness encoded in the idea of Chapel Perilous as explicated by Robert Anton Wilson. But this didn’t occur to me until much later," he writes.
Matt then goes on to explore the concept of Chapel Perilous and the history of the concept in works such as From Ritual To Romance by Jessie Weston.
Cardin's conclusion is sobering:
"We’re all playing with fire, those of us who actively perturb consciousness, and also those of us who have such perturbations forced upon us by powers outside our ken and control. In the words of the weekly closing narration to a classic horror television series, the nightmare aspect of daimonic reality, the aspect that the great writers of cosmic horror fiction have accessed and illustrated in their work, “is always there, waiting for us to enter, waiting to enter us.” This is not mere poetic speech, nor is it mere aesthetic or intellectual entertainment for those drawn to the dark side of fiction, film, philosophy, and spirituality. This is deadly truth.
"Wilson spoke of Chapel Perilous in terms of the perceived arrival of a spiritual ally that helps one through a crisis. But there’s another corridor of the chapel where the ally’s aspect is decidedly darker, and where it’s damned difficult to see and understand him, her, or it as an ally at all. The fact that the classic ally in the Western esoteric and occult traditions is one’s daemon, one’s genius, one’s Holy Guardian Angel, makes this darker aspect of the experience all the more disturbing, for what does it mean when your own “higher self,” the daemon or daimon who, according to the ancient Western understanding, represents the divine template and design for your life — and which in a modern-day context we can metaphorize as the “unconscious mind,” especially in a Jungian sense — what does it mean when this, the most intimate and personal-to-you of all possible psychological/spiritual realities, appears in the form of a demonic, assaulting presence?"
Matt's "Teeming Brain" blog seems very interesting.
Thursday, October 12, 2017
Scene from the Metropolitan Opera's production of The Magic Flute
A reminder and a correction: The Metropolitan Opera's broadcast of Die Zauberflöte (e.g., The Magic Flute) will be at 12:55 p.m. Saturday at a movie theater near you, unless you live in the middle of nowhere. See this link to figure out how to find a theater, etc.
As I wrote earlier, The Magic Flute has Freemasonic elements (note the "eye in the pyramid" motif above.) It was Beethoven's favorite Mozart opera.
In that earlier post, I wrote, "Isis and Osiris are invoked in the course of the plot, and the main characters have to undergo an initiation. Given Robert Anton Wilson's interest in Mozart, I'm surprised that he never talked about this opera (as far as I know)."
The first sentence is true (as far as I know), but I now know that RAW did talk about the opera, at least once. RAW stated that the Magic Flute is a Masonic initiation turned into an opera and that the opera has Illuminati ideas.
I can't guarantee a good experience at the theater, but the New York Times seems to like the new production. And here is a positive review.
An adult ticket costs about $25. For those who like this sort of thing, it's a good experience.
Wednesday, October 11, 2017
At least of them line up nicely with what many of us learn reading Robert Anton Wilson: " 1. Do not feel absolutely certain of anything," and "7. Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric."
Via Supergee, who is sometimes eccentric in opinion.
Via Supergee, who is sometimes eccentric in opinion.