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Wednesday, November 17, 2021

Ted Hand to present paper on Frances Yates

Ted Hand 

Ted Hand reports that his paper on Frances Yates' influence on Philip K. Dick, Robert Anton Wilson and Terence McKenna has been acccepted for a conference, Esotericism, Occultism, and Magic at Southwest Popular/American Culture Association Feb 23-26, 2022, Albuquerque, New Mexico. (No word yet on whether Ted presents on Feb. 23.)

Here is the title: "The Reception of Frances Yates's Hermeticism in Three 1970s Counterculture Writers: Philip K. Dick, Robert Anton Wilson and Terence McKenna."

Here is the abstract, courtesy of Ted: 

Frances Yates had a meteoric impact on the study of magic in the 1960s and 70s with her books on hermeticism such as Giordano Bruno and the Hermetic Tradition and The Rosicrucian Enlightenment. These books were important to three countercultural writers of the era who have been receiving attention in esoteric studies recently, Philip K. Dick, Robert Anton Wilson, and Terence McKenna. I noticed that Dick's novel Valis, which popularized gnosticism in countercultural circles, presents a science-fictionalized version of Hermeticism that was apparently influenced by his reading of Frances Yates (confirmed by a reference to Rosicrucian Enlightenment in his unpublished Exegesis). Robert Anton Wilson narrates a conversation with Timothy Leary in jail in which Frances Yates's name came up during a conversation about Giordano Bruno. And Terence McKenna took The Rosicrucian Enlightenment as a model for psychedelic counterculture and gave workshops (available online as his Lectures on Alchemy) where the attendees had been given Yates's Giordano Bruno and the Hermetic Tradition to read as homework. Each of these writers had a different understanding of hermeticism, but I will argue that their readings of Yates and Hermeticism can be analyzed as significant moments in the reception of esotericism, shedding light on the development of new religious movements in the counterculture.

Tom again: Frances Yates of course also is mentioned in Wilson's books; for example, she is mentioned twice is Cosmic Trigger 1 (as "Francis Yates," RAW could be weak on proper names sometimes.) 

Tuesday, November 16, 2021

Rune Soup on RAW


Gordon White (Twitter photo)

Rune Soup, Gordon White's website, has a new post up on RAW, "Robert Anton Wilson: Right Wing Anarchist."  I had trouble following his points; maybe you can do better. And is Thelema formerly a "radical Libertine philosophy" that is now " a homemade version of Twitter’s code of conduct"?

White is the author of The Chaos Protocols and other books. 


Monday, November 15, 2021

Prometheus Rising exercise and discussion group, Chapter 9, Episode 56


 Photo by Fakurian Design on Unsplash

By Apuleius Charlton
Special guest blogger
 

Prometheus Rising remains relevant; brain change does seem to be one of the pressing issues of the moment. While we can’t look towards the “aughts” as any sort of golden age of stability and societal harmony, I do think it can be argued that there was much more in common between the last couple decades of the twentieth century and the beginning of the twenty-first than our nascent twenties have in common with said beginning. While not everyone, large parts of society have seemingly gone off into another dimension beyond any possibility of objectivity-through-consensus. 

Regrettably a lot of the sinister elements of this brainwarping day-and-age aren’t like 1984 or Brave New World, just tedious and incredibly stupid. Dismaying -- somehow a man who was bragging about being able to perform autofellatio this weekend is still considered a relevant source for medical advice by too large of a segment of the populace. In a way, I wonder if this mass abandonment of any discernment or forbearance has something to do with the “breaking down” process that occurs during a “typical” brainwashing. We are repeatedly reminded of “the loneliness epidemic,” societal disenfranchisement, extremist political posturing and general pessimism about the future that is sweeping across much of our world. I believe that these factors might be serving as their own strip-search, with everyone having their own “bend over and cough” moment when the promises of yesteryear are finally revealed to have been mostly hollow. 

So, as we are all continuously broken down by our forty plus hours every week and whatever new insipidness life has to throw at us, our minds are ripened for something completely different. For some people it might be a heightened sense of absurdity, for others life becomes an arena where we are pitted against mighty forces that seek to take something away that we have convinced ourselves mustn't be given up. But, in my observations, the contest isn’t against any shadowy group or Other but rather against the increasing waves of information and quickening change; many humans are essentially drawing lines in the sand as the tide is coming in. 

One thing that Wilson doesn’t mention, and I am convinced this is an intentional omission, is that while Crowley discusses our “great teachers” and their mysterious changes he also proposes that his system of experimentation is designed to replicate those events and create “prophets” out of its practitioners. I believe Wilson might not have felt it was necessary to mention that in this chapter because that is what he is also trying to do throughout our book with his challenges to our robotic script and his exercizes. Perhaps Wilson the magician didn’t want to reveal the trick to first time readers just yet. 

While both can have the opposite effect, I do see some training in “real” magic or conspiracy theory as a possible inoculation to having one’s brain changed without consent. Of course, we will still possess our foibles but these systems, if used judiciously, tend to create an overpowering sense of curiosity and agnosticism. Of course, both areas can become the hunting grounds where our minds break from their leash and go wild. Hopefully, under the guidance of such a worthy teacher as Wilson, one is able to avoid such hazards for the large part and change one’s own brain before someone else does it for you. 

It is worth noting that while attempting the final exercize this weekend, it occurred to me that many of Jones’ congregation only drank the cyanide-laced Flavor-Aid under duress. While that makes the Jonestown occurrence all the more disturbing, it does allow us to see that he wasn’t the Svengali that history remembers. He pulled a lot of crap to get his followers to that point, and even then many tried to resist. Is this hopeful? I don’t know. 



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Sunday, November 14, 2021

John Higgs' advice on three religions



Before he embarked on his current hot streak of writing acclaimed nonfiction books, John Higgs wrote two not terribly long novels which I liked very much,  The Brandy of the Damned and The First  Church on the Moon. 

The latter book has a charming "agnostic bishop" named Jennifer Hammerpot, and there's one particularly wonderful bit in which the bishop pulls out her bible, and reads a passage of scripture suggesting that people are best off if they have three religions -- zero or just one religion isn't enough but anyone having a dozen religions is "confused or bamboozled." Maybe I can get away with a brief quotation without committing a copyright violation, although a brief quotation leaves out some pretty good lines you'll have to get yourself a copy. 

"4. The most practical and useful approach is to have three religions.

"5.  I mean, roughly three. It's not an exact science. But between two and five, something like that.

"6. Three is good though. You can position yourself in the centre of three religions and in doing so drink of their wisdom without falling for their bullshit.

"8. Consider the man who is a Daoist, a Pagan and a Christian. Consider the woman who is a Buddhist, a Sikh and an atheist. These people won't easily fall for your nonsense. These people will have a wide perspective. These people will be able to get on in life."

In one sense, this passage seems like a restatement of what Robert Anton Wilson had to stay about reality tunnels, although it offers a unique perspective and perhaps some useful life advice.

And I recently wondered if perhaps I've taken John's advice, at least in a way and maybe not on purpose. What would my three religions seem to consist of? 

I was brought up at a Unitarian. I got confirmed in the denomination as a teenager. I haven't really kept up and my church attendance consists of very occasionally attending my parents' or my sister's Unitarian church as their guest.

I got really interested in Buddhism while still a teenager and I've read quite a few books on the subject. I once attended an Insight Meditation Buddhist retreat that lasted for several days. I have not maintained a consistent meditation practice but I still know a fair amount about Buddhism.

And more lately I have become really interested in Epicureanism. I have recently finished reading three books on the subject and have put a fourth on hold at the library.

(I would not consider myself a Discordian, although I am obviously very interested in the ideas of Robert Anton Wilson.) 

So, how many do you have? 

Update: The passage also is in John's novel The Brandy of the Damned. See the comments. 



Saturday, November 13, 2021

Illuminatus! play poster

 


On Twitter, Reactions to 2023 asks, "How have I never seen this poster before?" I don't remember seeing it either and thought I would share. 

Friday, November 12, 2021

'Blame Blake' on the F23 podcast


Episode 30 of the F23 Podcast is a "Blame Blake" special, starring John Higgs, David Bramwell, Ben Graham and Myra Stewart. More information here. 

Thursday, November 11, 2021

Emperor Norton Bridge -- sign the petition


"The Emperor Norton Bridge turns 85 on Friday. Say happy birthday + Help signal our collective determination to see "Emperor Norton Bridge" added as an honorary name for the SF–Oakland Bay Bridge in 2022! Sign at https://change.org/p/the-emperor-norton-bridge-in-2022-the-150th-anniversary-of-his-original-decrees-for-the-bridge-in-1872. Already signed? Please share! Cheers!"

Source.

I signed. 

Wednesday, November 10, 2021

Slim Brooks, the Human (Discordian) Fly


Adam Gorightly continues his exploration of odd corners of Discordian history at his Historia Discordia blog with an entry on "Slim Brooks, the Human (Discordian) Fly," an odd character who may have been an intelligence agent who was Kerry Thornley's "handler" before the JFK assassination (or so Thornley thought). 

Adam also posted a nice "Eris of the Month" for October. 



Tuesday, November 9, 2021

RAW reviews a movie


The tireless Martin Wagner announces another find:  A movie review by Robert Anton Wilson of Chappaqua. (Although technically the review from May 1967 of the East Village Other is listed as by “Kevin O’Flaherty McCool" and it is subtitled as a "A Non-Review of a Non-Movie.")

William Burroughs appears in the movie, and Wilson asserts, "CHAPPAQUA, the first film to use Burroughs‘ cut-up technique, proves that technique is even better adapted to cinema than it is to the printed page."

Wilson also writes, "William S. Burroughs is not only a great writer but also a great actor — His performance as Opium Jones, the spirit of addiction, is the creepiest characterization since the late great Bela appeared as the Transylvanian Count."

There are big chunks of cut-up prose in the piece. Martin includes a YouTube video of the movie, so that you can see it for yourself. 

Monday, November 8, 2021

Prometheus Rising exercise and discussion group, episode 55, Chapter Eight

The Fitzwilliam Quartet rehearsing in 2008 in Switzerland. (Creative Commons photo by Surreybirder).

By Eric Wagner
Special guest blogger 

On page 125 Wilson writes, “A mass made of people who have intense curiosity about why Beethoven went in for string quartets after the Ninth Symphony . . . is not a mass that will be easily led into dull, dehumanizing labor at traditional jobs.” I asked on Facebook, “Why do you think Beethoven focused on string quartets after the Ninth Symphony?” Novelist Rafi Zabor answered, “Turn it down! It's so loud can't hear a fuchen thing! Okay, a bit more seriously: at least since the Razumovskys and probably before, he had brought his most uncompromising summings-up and steps-ahead before the demanding bar of the quartet form, its inherent possibilities and limitations. And there he was, either at an end or a new beginning, or both. So he wrote quartets. Sounds like a good answer, and though it likely won't last it's good enough for now.” He added, “Compare/contrast, say, with the primary inwardness of the last three piano sonatas, which must have been a relief to compose during the monstrous work of getting the Missa and the Ninth done.” 

Composer Robert Rabinowitz responded, “Rafi Zabor I was thinking that as well. For my own compositions I find it particularly daunting to tackle more than about 8 instruments. Sometimes it’s just the massive amount of notes on a single page that can just become stressful to look at. Even though the reality is there is a lot of section playing going on so, of course, it isn't as if there are 70 or more instruments playing different lines. Hmmm - wonder if that's been done, I may have to do it.” 

At Rawillumination.net, Tom Jackson asked, “Is it just a coincidence that the Beethoven-obsessed Wilson brings up string quartets in a chapter about the four circuits? And if not, what instruments relate to which circuit? I would say the cello is Circuit One, viola Circuit Two and the two violins circuits Three and Four.” The cello seems very erotic to me, so I would associate it with the fourth circuit. At first I thought to assign the two violins to the first two circuits. The top dog – bottom dog dynamic works well for the second circuit, but I don’t think the viola fits in well with the third circuit. The viola seems the least egotistical part of the string quartet. It rarely gets the solo voice or the strong bass line of the cello. (“It’s all about the bass.”) When following a score for a string quartet, I find it easiest to follow the first violin part or the cello part. I have to strain to follow the viola part which tends to play a largely supportive role in Beethoven’s quartets. I would associate the viola with the first circuit and the violins with circuits two and three. The verbal chatter of the third circuit fits in well with the first violin, and the second violin fits in well with the second circuit. I find it interesting that a string quartet has four members, and most of Beethoven's quartets had four movements. Four times four equals sixteen, the Tower in the Tarot, and Beethoven wrote 16 string quartets. The Tarot has sixteen court cards as well. Sixteen flowerpots play a pivotal role in P. G. Wodehouse’s Leave It to Psmith, one of my favorite books.  

Amazon informed me that they cannot fulfill my order for The Skeptical Inquirer and refunded my money. I do find myself enjoying reading The New York Review of Books. The October 7, 2021, issue includes a review of a biography of Portuguese writer Fernando Pessoa. The review says Aleister Crowley “had plans to tap Pessoa to lead a Lisbon brand of his Ordo Templi Orientis” (pg. 19). Bob Wilson wrote that some intrepid soul sent out cards making over 1000 people outer heads of the O.T.O. As an Outer Head of the O.T.O. myself, I declare all of you reading this outer heads of the O.T.O. as well.  


Sunday, November 7, 2021

'Overweening Generalist' (kind of) returns


Michael Johnson has not (yet) revived his Overweening Generalist blog, although there's plenty of material there for people to go back and read. For example, if you listened to the recent Hilaritas Press podcast on General Semantics, you can read this blog post on General Semantics, which (among many other points) recommends S.I. Hayakawa's popularization, Language in Thought in Action.

Recently, however, Overweening Generalist comments are being posted at the RAW Semantics blog, and there's a particularly long one, full of ideas, posted for the new RAW Semantics blog post on "Agnostic Grace" I referenced the other day. Michael also comments on the "RAW solipsism #3 – Dynamite Dave’s" recent post. 

Brian also recently paid Wordpress to turn off ads at RAW Semantics. 

Saturday, November 6, 2021

New album: 'Ambient Blue' by Starseed


Ambient Blue is the new album by Starseed, the California based band featuring Rasa on sitar and guitar, Bastian on synthesizer and Marlis Jermutus on tambouris. This new release has Rasa on guitar and Bastian on synthesizer, with the cover painting a detail of Marlis' painting Gravity #27.  Available at Bandcamp; I bought it and sat up late last night listening to it on my new Bluetooth speaker, which really brought out the sounds. (You can do downloads in various formats, including FLAC which are high fidelity but will take up a bit of space.) 

A couple of questions for Rasa:

How long has it been since your last release? 

Our last release was in 2014… Prana, I’ve been busy since then. [Running Hilaritas Press and the Robert Anton Wilson Trust, etc. -- The Mgt.]

I see you added guitar and synthesizer, tell me about your "new artistic direction." Is it more like a German synthesizer band?

Right after Prana was released, I moved to California, and a year later Christina and I started Hilaritas Press. We’ve been playing music, but I’ve been putting most of my time and energy into publishing. I have been picking up the guitar often during the day to try to teach myself to play the blues in the last years. I think it’s that blues infusion that permeates the first four tracks of the new album, and gives the album its name.. The last two tracks are about as abstract as we are likely to get, and they may suggest something that might come out of Germany, as you suggested. That makes sense as Bastian is from Berlin and began programming and playing synthesizers back when groups like Kraftwerk, Tangerine Dream and King Crimson were major influences for him. Bastian branched off into esoteric studies of the musical arts, and even got a certificate years ago in Sound Healing from the Globe Institute in San Francisco. I’m not really sure what to call his style of playing, except for maybe “soundscapes.” He has a great sensitivity for creating lush audio environments. I really love playing around in those spaces he creates. 

Our recent deer videos mostly feature music that came to be the new album. It was largely the warm response the music got on Youtube that pushed us to assemble this album. Hope you enjoy it.