Robert Anton Wilson and Robert Shea. Blog, Internet resources, online reading groups, articles and interviews, Illuminatus! info.

Saturday, April 16, 2016

Problems with spam



I am being routinely harassed with spam commercial messages posted on my blog entries, and deleting them one by one is laborious. I don't want to make my settings on Blogger more restrictive for posting comments — I want to make it easy for everyone to post, particularly with the launch of the Cosmic Trigger online reading group — but I'm also losing patience. Does anyone have any suggestions? I am trying to mark many of the obvious spam entries as "spam" and hoping that Google will start doing a better job of screening them, but I don't have endless amounts of time to delete the damn things.

Friday, April 15, 2016

The 'Prometheus Rising' bonus



Aside from being carefully edited and provided with new covers, the new Hilaritas Press editions of Robert Anton Wilson's work also have bonus material, at least so far. The new edition of Cosmic Trigger has the new introduction by John Higgs, as Charles wrote in Monday's opening post for the Cosmic Trigger online reading group. 

I am writing to you from Tulsa, which I consider my hometown. I'm on vacation for a few days. I flew out here from United. I didn't try to pick the seats for my flights; I just let the airline pick them for me. On the flight from Cleveland to Chicago, United seated me in seat 23E. There was no row 23 in the Chicago to Tulsa leg — it was a small plane — so I was placed in row 13.

Anyway, on the Tulsa flight, I looked at the new ebook edition of Prometheus Rising, which I bought a few days ago, because I was curious about the book's "bonus" feature — an afterword by Richard Rasa.

It's my guess that anyone interested in the Eight Circuit model of consciousness will be interested in the question Rasa raises in his essay, "Apprehending Bob Non-Simultaneously," which explores why RAW switched circuits 6 and 7 from one work to another. RAW followed Timothy Leary's original order (in Exo-Psychology) in Cosmic Trigger, but reversed them in Prometheus Rising, before returning to Leary's original order in Quantum Psychology, Rasa explains.

I don't want to give too much away — after all, I want you to buy the book — but I can report that various Doctors of the Church (i.e., members of the Robert Anton Wilson Trust Advisors) weigh in, including Michael Johnson, Eric Wagner, Mike Gathers, David J. Brown,  and Toby Philpott.

The new print edition of Prometheus Rising will be out soon; I will note it here when it's released.



Thursday, April 14, 2016

Adam Gorightly enters Chapel Perilous with us


At Historia Discordia, Adam Gorightly takes note of the new Cosmic Trigger online reading group, and promises to weigh in. "As time and inspiration allows, I’ll no doubt chime in!"

Adam's contributions to the Illuminatus! reading group were wonderful, so I'm looking forward to whatever he chips in this time.

We're on a weekly schedule, so Charles should have a new posting ready for Monday. AA

Wednesday, April 13, 2016

Tom Shippey on Jonathan Levi's 'Septimania'



Tom Shippey, a fine academic and critic (I read his book on Tolkien years ago) reviews Jonathan Levi's new novel, Septimania, in last weekend's "Wall Street Journal." It sounds like the kind of ambitious novel I really enjoy, and I mean to hunt up a copy at some point and read it. But there's something else that I wanted to talk about for a moment.

Shippey says there is a "hint of Harry Potter" in the start of the novel, and then describes the novel with sentences such as these: " As one of the characters says, 'No one sees Septimania for what it is.' It makes other conspiracy theories seem under-plotted." And also, "One can sum up by saying that the human characters are analogues of the mysteries, and vice versa. The characters’ fates remain mysterious, the mysteries’ solutions are in the hands of the characters." And also, "More than one reading will be needed to digest Mr. Levi’s comprehensive, many-branching vision. It adds new dimensions to the idea of the novel."

Am I the only one who sees a "hint of Iluminatus" in these descriptions? (I notice there's an apple on the cover.) Have any of y'all read Septimania yet?

UPDATE: John Merritt writes, "Septimania's conspiracy connection is not to the Illuminati, but to the Holy Blood, Holy Grail'conspiracy. As you can see from the Wikipedia article, Septimania was the center of the Cathar area, the Cathars being one of the major HBHG connections. The reference to Septimania is in the next to last chapter of HBHG, 'The Grail Dynasty'."



Tuesday, April 12, 2016

Mitch Horowitz on the Illuminati


The editor who announced the new biography of Robert Anton Wilson, Mitch Horowitz, has penned a new piece, "How I Learned to Stop Worrying and Love the Illuminati," 

In the piece, Mr. Horowitz explains who the Illuminati really were and why they were admirable. He discusses Adam Weishaupt and explains other details of Illuminati history that will be familiar to readers of Robert Anton Wilson.

Here is a bit of of the piece, written in question and answer form:

What evidence do we have that the Illuminati still exists today?

None – other than the assertions of irresponsible and, I think, cynical conspiracy theorists, such as radio host Alex Jones.

Of course, the Illuminati are still around — my friends and I are members. But although I follow Mitch Horowitz on Twitter and have written about him here, he doesn't know me, so we can forgive his mistake.




Monday, April 11, 2016

Cosmic Trigger Reading Group, Week One!


The cover of Cosmic Trigger, as it looked back in the day 

By Charles Faris, reading group guest blogger

Greetings and welcome to the RAWIllumination Cosmic Trigger Reading Group. This week we are going to crack the cover and dive into the new edition of Cosmic Trigger, published by Hilaritas Press, the new imprint organized by Bob’s daughter Christina and his friend Rasa of the RAW Trust.

Right off the bat I want to offer big thanks Tom Jackson of RAWIllumination for hosting this reading and for giving me the opportunity to facilitate it, and to Christina and Rasa of RAW Trust for all of their hard work creating Hilaritas Press and publishing new editions of a large chunk of the works of Robert Anton Wilson.

As a complete package, the new Cosmic Trigger reads a bit like an archeological text showcasing the discovery of a time capsule from 1977, unearthed from somewhere up in the Berkeley Hills. In reverse chronological order we have the original text and illustrations, complete with Forewords by Dr. Timothy Leary and Afterwords by rebel physicist Saul-Paul Sirag. Nine years later and nine pages earlier we have the preface from 1986 written by Old Bob himself, an obligatory attempt by the author of a challenging text to “answer the most frequent questions and to correct the most persistent misunderstandings.” 

Finally and most recently we see on the title page that there is an Introduction by John Higgs, author of Stranger Than We Can Imagine: Making Sense of the 20th Century, which is apropos, as Mr. Higgs has a high professional interest in Bob and Tim, and his lens of introduction leans heavily on the notion of Time.


Cover art for the new Hilaritas Press edition of Cosmic Trigger, the official text for this reading group. 

This week we are going to take a look at that Introduction to see what kind of a framework it can offer us as we prepare to read and discuss a book that is almost 40 years old, and next week we will dig into Bob’s preface and Tim’s Forewords. 

For those who do not have a copy of the new edition, you can find the Introduction by John Higgs here. Just click on the picture of the cover to Look Inside, and then click on the table of contents in order to access a preview of the Introduction.

John Higgs packs a lot into his introduction — Geoffrey Chaucer, Jane Austen, and Charles Dickens; the counterculture’s mid-1970’s Northern California heartland; psychedelic drug culture and cocaine-dominated culture; humanity as an immortal interstellar race; The Beatles, The KLF, and Julian Cope; pookah’s and the Sirius Transmissions; and he wraps it all around a notion that truly great books are both completely Of Their Time as well as Timeless.

In the course of illustrating both of these ideas Higgs also opines upon Cosmic Trigger as “the story of one man. . . which connects the personal mythologies of a wide network of people,” ultimately offering up Cosmic Trigger as an all-purpose map for navigating tidal waves of meaning as well as deserts of meaninglessness, an ontological swiss army knife, as it were. Wielded by a guerrilla, no doubt.

“It affects people, this book. It can send your life off in strange directions.”

Last week we asked you to tell us how you found Cosmic Trigger (which you can still do!), and this week I’m asking you what you did with her once you found her! Please read the intro and then chime in to let us know what strange directions Cosmic Trigger has sent you in.

Next week we will cover the 1986 Preface (which can be found here if you have an older edition) as well as the Dr. Timothy Leary’s original Forewords. Happy reading and please comment—the deeper the discussion, the deeper the experience.

Sunday, April 10, 2016

The Panama papers: Two views


Tyler Cowen

If you follow the news, you've probably heard about the Panama papers, a huge leak of documents that show how the global elite hid their money.

I've seen a couple of interesting reactions to this.

Steve "Fly" Pratt has a post up, "The Panamamamatrix: Tsarists and Nazis and spooks, oh my!" which sees the leak as a welcome expose of the rich. He writes,

"It seems to me that the 99 % of humanity are justified in the distrust of the 1%, or to narrow it down further, the inner secret sanctuary of international unrestricted finance. The racket, robbing the world, cheating the rest of the 99% of the worlds population out of their equal share of the worlds resources, technological innovations and freedom."

Steve then pulls together clippings suggesting that the folks exposed by the leaks resemble some of the global conspirators Robert Anton Wilson wrote about.

Tyler Cowen, writing at Marginal Revolution, has a contrarian take. He says all of the applause for the leak reflects a lack of respect for the right to privacy.

Excerpt:

"Let’s say a group of criminal defense lawyers kept a database of their confidential conversations with their clients.  That would include clients charged with murder, robbery, DUI, drug abuse, and so on.  In turn, a hacker would break into that database and post the information from those conversations on Wikileaks.  Of course a lot of those conversations would appear to be incriminating because — let’s face it — most of the people who require defense attorneys on criminal charges are in fact guilty.  When asked why the hack was committed, the hacker would say 'Most of those people are guilty.  I want to make sure they do not escape punishment'.

"How many of us would approve of that behavior?  Keep in mind the hacker is spreading the information not only to prosecutors but to the entire world, and outside of any process sanctioned by the rule of law.  The hacker is not backed by the serving of any criminal charges or judge-served warrants.

"Yet somehow many of us approve when the victims are wealthy and higher status, as is the case with the Panama Papers.  Furthermore most of those individuals probably did nothing illegal, but rather they were trying to minimize their tax burden through (mostly) legal shell corporations.  Admittedly, very often the underlying tax laws should be changed, just as we should repeal the deduction for mortgage interest too.  But in the meantime we are not justified in stealing information about those people, even if some of them are evil and powerful, as is indeed the case for homeowners too."



Saturday, April 9, 2016

Michael Johnson takes on science fiction


Olaf Stapledon 

Michael Johnson has pulled out his notebook, looked at the jottings there, and written "17 Disparate Riffs on Science Fiction." Quite a few Robert Anton Wilson references. 

A couple of riffs that I particularly liked included No. 11, which remarked that "that we inhabit a science fiction world, right where you are sitting now. If you don't often frame it this way for yourself - especially if you've never looked at your current "reality" this way - I urge you to do an experiment and "see" your world this way for seven days."

I sometimes feel this way, too, and I can't get over the fact that my smart phone lets me carry a little computer with me everywhere I go. I'm amazed by some of the apps, such as being able to use Shazam app when I don't recognize a tune. I can't imagine that there are many tunes that Michael doesn't know.

I also liked the reminder in No. 16 that RAW described Olaf Stapledon as "my favorite science fiction writer." It seems like I've heard about Stapledon all my life, without ever having gotten around to reading him! I'll get to it. I looked up the Stapledon entry in Wikipedia and learned that he wrote a novel called Sirius: A Fantasy of Love and Discord.


Friday, April 8, 2016

'The RAW Resurgence' — the director's cut


This is Brian Dean's illustration for his piece at Medium. Check out the return address on the letter!

In my March 23 blog posting, I pointed to Brian Dean's article at Disinformation on the resurgence of interest in Robert Anton Wilson.  I mentioned that many examples of that resurgence had gone unmentioned in the article, and the estimable Sue Howard, in the comments, explained that Disinformation had made him cut a much larger piece and also that Mr. Dean had focused on mainstream interest in RAW. [Clarification: Brian Dean says on Twitter: "Not quite true to say Disinfo "made" me cut it (I simply read their guidelines before submitting, to give it a better chance). Disinfo did a great job, btw, publishing it exactly as I submitted it, very quick to appear on their site."]

He's now published the original longer version of his piece, which offers a much more more complete picture of the resurgence and which name-checks a number of folks left out in the earlier version, such as the Cosmic Trigger play and Michael Johnson's Overweening Generalist blog. (He also mentions me, although as he had linked to my blog in his original piece, I personally was not unhappy.)

There are still folks left out, but it seems to be that's a testament to the breadth of the RAW revival movement. Any attempted survey probably is going to overlook someone who had contributed substantially to the movement. I should probably make my own attempt to survey the "scene," but I'm worried about hurting the feelings of anyone I inadvertently overlook.

Thursday, April 7, 2016

You can't make this stuff up


From Adam Gorightly, the apparently true story of the government agency that seemed to get its logo from the Illuminatus! trilogy, and its initials from Aleister Crowley.

Wednesday, April 6, 2016

Prometheus Award finalists announced



[This is the group I blogged about Saturday. This is an official press release that came out this week. Apex just won the Philip K. Dick Award.  -- The Management. ]

The Libertarian Futurist Society has announced finalists for the best Novel category of the 36th annual Prometheus Awards.

The 2016 awards will be presented during the 74th annual World Science Fiction Convention Aug. 17-21, 2016 in Kansas City, Missouri.

The five Best Novel finalists (in alphabetical order by author) for this year's Prometheus Award for best novel of 2015:

Golden Son, by Pierce Brown (Del Rey) – Slavery versus freedom is a central theme of the intriguing second novel in "The Red Rising Trilogy," set on a future Mars inhabited by the idle-rich Golds and slave-miner Reds. Questions about trade-offs between chaos and control and whether the ends justify the means are explored as the libertarian protagonist strives to help the Reds revolt and create an equal-rights society only to learn that some slaves actually don’t want to be free. (This is Brown’s first recognition as a Prometheus nominee and Best Novel finalist.)

Apex, by Ramez Naam (Angry Robot) –Set in a future where a substance called Nexus allows humans to connect through their minds, the gripping finale of the “Nexus Arc” trilogy dramatizes a conflict between major world governments, controlled by deceitful and corrupt men who censor truth and spread disinformation, and rebels who seek to bring down these governments by improving communication and enlisting the support of free individuals (both human and human-derived AI). A central question explored is whether it’s better for governments to contain technology, in the name of protecting the people, or to allow technological advancements, even with big risks. (Naam won the 2014 Prometheus Award for Best Novel for Nexus, part of a trilogy that continued with Crux and ends with Apex.)

Seveneves, by Neal Stephenson (William Morrow) – This epic hard-science fiction novel, about a cataclysmic event that threatens human civilization and the planet Earth, avoids ideology but still dramatizes how a lust for power almost wipes out humanity, while also showing how voluntary cooperation, individual initiative and the courage to face reality and tackle overwhelming problems through reason and private enterprise helps tip the balance towards survival, as a small group – including some of Earth’s bravest and richest entrepreneurs - risk their lives to save mankind. (Stephenson won the Prometheus for Best Novel in 2005 for The System of the World.)

The Just City, by Jo Walton (TOR Books) – Recognizing that utopian works are one of the sources for science fiction as a literary form, Jo Walton returns to one of the founding utopian works, Plato’s Republic, and enters into a critical dialogue with it. The process she envisions is science fictional — admirers of Plato from across many centuries are gathered together to raise children as citizens of Plato’s ideal city — but the underlying premise is fantasy: the project is initiated by Athena, and taken up by Apollo. Walton’s political themes - including issues of “equal significance” and the difference between genuine and manipulated political consent – are dramatized through a series of striking incidents and well-drawn characters. (Walton won the Prometheus for Best Novel in 2008 for Ha’penny)

A Borrowed Man, by Gene Wolfe (TOR Books) –This intriguing sci-fi murder mystery – which also works as an old-fashioned detective novel and a writer’s meditation on mortality and the desire to produce a body of work that will be remembered - offers a deeply sympathetic portrait of a human clone/slave “book” struggling for his basic existence and humanity in a diminished future Earth where such “books” are treated like pieces of property that can be checked out and ultimately burned. (This is the first Prometheus finalist by Gene Wolfe, one of the most admired sf writers in the field.)

Fourteen novels were nominated for this year's Best Novel award.
The other nominees: Luna: New Moon, by Ian McDonald (TOR Books),
Squirrel Days, by Dustin Costa (CreateSpace Independent Publishing Platform), The Turing Exception by William Hertling (Liquididea Press), InterstellarNet: Enigma, by Edward M. Lerner (FoxAcre Press), Annihilation Score by Charles Stross (Ace Books),  The Miskatonic Manuscript, by Vin Suprynowicz (Mountain Media), The Testament of James by Vin Suprynowicz (Mountain Media), Joe Steele, by Harry Turtledove (ROC) and  Harry Potter and the Methods of Rationality by Eliezer Yudkowsky (http://hpmor.com/)

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

Presented annually since 1982 at the World Science Fiction Convention, the Prometheus Awards include a gold coin and plaque for the winners.

For more than three decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for civilization, cooperation, peace, prosperity, progress and justice.

For a full list of past Prometheus Award winners in all categories, visit www.lfs.org.
Membership in the Libertarian Futurist Society is open to any science fiction fan interested in how fiction can promote an appreciation of the value of liberty.

Tuesday, April 5, 2016

Graphic of Eight Circuit model of consciousness


Via Bobby Campbell's "New Trajectories" Tumblr, here is an artistic rendition of the Eight Circuit model of consciousness, which is discussed in Prometheus Rising, newly re-released by Hilaritas Press. I don't know much about the origin of this, but the attributions at the bottom of the graphic mention artist Blueflake and also Ultraculture. 

Monday, April 4, 2016

Cosmic Trigger reading group pre-reading post

By Charles Faris, Cosmic Trigger reading group guest blogger.

Next week marks the start of our group reading of Cosmic Trigger, Robert Anton Wilson’s classic tale of his adventures in Chapel Perilous whilst searching for the Final Secret of the Illuminati. Because every story has a beginning, and because Bob starts Cosmic Trigger with a riff on the deep roots of his own adventures in illuminism, I thought it would be fun to share our own beginning stories—specifically, our own stories of how we came to read Cosmic Trigger and, if this wasn’t your first adventure in the Land of Bob, how you got turned on to The Man in the First Place.

I’ll start — short version:

In the Spring of ’79 I was traveling across country and found myself spending a few days in Boulder Colorado, visiting friends. While leafing through a local Underground Publication I came across a book review that stopped me cold. Something called The Illuminoids, by Neal Wilgus, which purported to reveal the Hidden History of a Secret Organization that had been Manipulating Important Political Events behind the scenes For Millennia, leading humanity to the brink of Impending Disaster that was sure to happen next year or next week or maybe even just 23 minutes into the future.

If that wasn’t enough to get my 21 year old mind buzzing with interest, the admonishment that I’d best pick up a copy before the book, and the author, met the tragic fate of all who dare attempt to expose the doings of The Bavarian Illuminati intrigued me enough to rip out the review and put it in my wallet.

A couple of weeks later I went to my local book store and found a copy in the racks. Right out in the open! I counted out my coins, snapped it up, and went straight home to plow through it — which I attempted to do, although it was quite dense and so full of names and dates that it was all a blur by the time I had finished.

Except.

Except for the Introduction, by some guy named Robert Anton Wilson, author of Cosmic Trigger and The Illuminatus! Trilogy.

Wow. That thing hooked into me, like Rod Serling’s Earwig, or the Ceti eel from The Wrath of Khan. Nietzsche, H. P. Lovecraft, LSD (which I had not yet experienced) and the Marquis de Sade — all in the first two paragraphs! What really hooked me in was the colorful four paragraph description of Chapel Perilous, along with a hint that there was much more to say in that regard than Mr. Wilgus had offered up for our perusal.

The simultaneous sense of dread and desire that Bob ignited in that introduction kept my impoverished little monkey mind busy for weeks questioning how much ramen I would have to eat (or not eat!) to save up the $2.25 necessary to dive into the unknown quantity of Cosmic Trigger. Eventually, of course, dinner be damned, I did. And the rest is history.

And now yours, please.

And just for fun, as an appetizer before we get started with our group reading next week, here is that original Introduction to Neal Wilgus’ The Illuminoids. Enjoy. And watch out for the Green Goo Gang!

INTRODUCTION

By Robert Anton Wilson

Say the magie word and the duck will come down and pay you $100.
  --Marx

It is now nearly 14 years since I first began to investigate the eldritch and awesome legendry surrounding the infamous Illuminati of Bavaria.  Since no true horror is without its touch of grotesque irony, it is fitting that my original motivation for undertaking this arduous and time-consuming research was an interest in the paranoid mentality as a factor in history. Little did I suspect that the Illuminati was like that emblematic Abyss mentioned by Nietzsche, of which the eminent philosopher says so cryptically that the deeper you look into it, the deeper it looks into you.

Yea, verily, like the discombobulated narrator of one of the sinister allegories of Howard Phillips Lovecraft, I now know what it is to gaze deeply into the Abyss feel the Abyss gaze deeply into me. It is rather like LSD, actually, and a little bit like peyote, too, but more like a Three Stooges comedy performed by the inmates of the asylum of Pentagon under the direction of the Marquis de Sade.

There are two kinds of stupidity exemplified in most books about the Illuminati. There is the stupidity of the credulous conspiracy-monger, true child of the witch-hunter of yore, who will accuse anyone and everyone on the basis of wild hypothesis and unsupported inference, with no care for the elementary rules of civil courtesy or that famous Commandment which urges that we not bear false witness against our neighbor. This is an old and most murderous kind of stupidity and is the chief destroyer of innocents throughout history

But there is also the stupidity of the True Believer in the revealed visions of the Establishment press, the Establishment universities, the Establishment "experts." This is the stupidity of those who believe all American science is represented in the Scientific American; that all the news that's fit to print really will be found in the New York Times; that the little magazines, the underground presses and the minority parties in politics and philosophy are always wild-eyed kooks or unreliable fanatics. In fact, as a little open-minded investigation will convince anyone who stops parroting official consensus-reality and starts looking around independently, the current Establishment is like any other Establishment in history. It ignores, defames or persecutes really important ideas as often as the Victorian Establishment did, or the 18th Century Establishment, or the Holy Inquisition, or any other group that has enough power to shut up or drown out the signals it does not want to receive.

As the Buddha himself warned on his death-bed, "Doubt everything, and find your own light."

Neal Wilgus is refreshingly free of both kinds of stupidity mentioned above; he really does think for himself; he accepts neither the inflamed hallucinations of the rabid anti-Illuminati crusaders nor the aloof dismissal of the Illuminati by the historians supported by those Establishment institutions which are allegedly funded directly through the Illuminati. Physicist Saul Paul Sirag once defined a true scientist as one "who really wants to know what the hell is actually going on." Neal Wilgus is a true political scientist in that sense. He has no axe to grind. He is looking for the truth and he is neither gullible nor too cynical to follow up on wild possibilities.

I was particularly amused and intrigued to read in English: Introduction the Preface that Neal has been haunted, while re- searching this book, by the same sort of coincidences- synchronicities that have dogged me very seriously ever since I got involved with the Illuminati mystery Such spooky accidents are a sign, as Carl Jung said, that one is approaching a high energy area of the collective unconscious. Dr. John Lilly has proposed more recently (in his Simulations of God) that research in these areas activates a hypothetical group he calls Cosmic Coincidence Control Center. CCCC seems to be working overtime on the Illuminati case these days, and I wouldn't be a bit surprised if they jostle both Neal and myself a few more times before this book reaches print.

In traditional occult metaphor, the local office of CCCC on this backward planet is known as Chapel Perilous. It's a weird place to be. Like the mysterious entity called "I," Chapel Perilous cannot be located in space-time; it is weightless, odorless, tasteless and undetectable by ordinary instruments. Even more like the Ego, it is possible to deny that Chapel Perilous is really there. And yet, once you are inside it, there doesn't seem to be any way to ever get out again, until you suddenly discover that it has been brought into existence by thought and does not exist outside thought. Everything you fear is waiting for you in Chapel Perilous, but if you are armed with the wand of intuition, the cup of sympathy, the sword of reason and pentacle of valor, you will come through it all safely.

That's what the legends say, and the language of myth is poetically precise. For instance, if you go into that realm without the sword of reason, you will lose your mind, but if you take only the sword of reason without the cup of sympathy you will lose your heart. Even more remarkable, if you approach without the wand of intuition, you can stand at the door for decades never realizing you have arrived. You might even think you are just waiting for a bus, or wandering from room to room looking for something lost, or watching a TV show in which "you" are not involved. Chapel Perilous is tricky that way.

The worst fate of all awaits those who approach CCCC without the pentacle of valor. It becomes, in their terrorized imaginations a gigantic Death Universe inhabited by Wrathful Demons and the unspeakable spawn of the Green Goo Gang. Woe unto these chicken-hearted ones, for they shall suffer for all eternity, within their own gruesome fantasies, in keeping with the Hell Law proclaimed by the late Discordian saint, Ho Chih Zen, to wit, "Hell exists only for those who believe in Hell, and it's just as bad as they can imagine it to be." Or, as the sublime Omar Ravenhurst wrote in "The Epistle to the Paranoids," "If ye lock yourselves up in cages of fear, ye shall never taste freedom.”

One recalls also in this connection the inscrutable words of the somewhat eccentric English poet, Aleister Crowley, "I slept with Faith and found her a corpse in the morning; I drank and danced all night with Doubt and found her a virgin in the morning." It is no doubt another amusing coincidence that Mr. Crowley styled himself Epopt of the Illuminati and published a magazine called The Equinox: A Journal of Scientific Illuminism. Those who are moved to browse a bit in the consciousness-altering manuals of Mr. Crowley after reading The Illuminoids might possibly come to the conclusion that, while Mr. Wilgus has most admirably sketched the architecture of Chapel Perilous, he has not quite fully depicted the many interesting mansions for rent inside.

But that is a minor quibble. This is a damned fine piece of original and fearless historical research and Neal Wilgus is to be commended for his wit and skepticism in a field too often dominated by humorless fear-mongering. His book will be equally amusing to both those who are members of the Illuminati and to those who are still living on the Planet of the Apes.