Robert Anton Wilson and Robert Shea. Blog, Internet resources, online reading groups, articles and interviews, Illuminatus! info.

Showing posts with label @amoebadesign. Show all posts
Showing posts with label @amoebadesign. Show all posts

Saturday, March 23, 2024

Hilaritas podcast with Joseph Matheny, 'Reality Is What You Can Get Away With' released [IMPORTANT UPDATE]


The Hilaritas Press edition of Reality Is What You Can Get Away With has been released (I would expect the usual official announcement to arrive soon) and Joseph Matheny is the interview subject for the latest Hilaritas Press podcast, released today on the 23rd as per usual. (Hilaritas has not yet sent out the official publication announcement, but that should arrive soon, and of course I will cover it  here.) Update: Don't buy the paperback yet, see announcement below. 

Mr.  Matheny also has released a Substack newsletter issue with the news, so you may as well take a moment to subscribe to the newsletter if you haven't already. "I recently sat down with Mike Gathers for the Hilaritas Press Podcast to discuss the newest reissue of Robert Anton Wilson's book Reality Is What You Can Get Away With and why I have a personal connection to it," he explains. 

More soon, but I've already bought the book and I have the podcast posted above for your convenience, although it should be available wherever you get your podcasts. 

[UPDATE] Rasa says that while the ebook is fine, he suggests that people hold off buying the paperback for a few days. (I bought the Kindle, so apparently I'm fine). When Rasa says it is safe to buy the paperback, I will let you know here. 

Here is Rasa's statement:

Just a note about our new edition of Reality Is What You Can Get Away With

Currently the ebook, Kindle at Amazon, Nook at Barnes and Noble, Apple books, etc – these versions of the book are available and look great. The print edition is a different story. We were really hoping to get it ready before our podcast with Joe Matheny, but we ran into a bit of a snag that should be worked out in a few days, but we'd love people to not buy the paperback book from Amazon until the bug is worked out. 

Hilaritas Press uses Amazon's KDP to produce books for sale on Amazon, and we use Ingram to print books for all other outlets, including all brick and mortar stores. This book has a lot of dark graphics, and the proofs we got from Amazon's KDP just did not look good enough for us. The Ingram versions look fine, but as part of the process, Amazon puts up the book for sale even before we can view a proof! We decided that we didn't like the KDP versions of the book, and so we have deleted that book from our KDP account. Sadly, the Amazon page may still sell the KDP version for the next day or two before they switch over to the Ingram version. 

If you want the ebook, buy it now. It's fine. If you want the print edition, I'd say wait a few days until we are sure Amazon is selling our Ingram version. 

So sorry about this! We were going to get this together sooner, but Ingram made a mistake in one of the proof printings, and that kind of delayed the whole process. Usually we don't have these issues, but as I say, this book has a lot of graphics, and we really wanted to be sure that people were getting the best version that we could make! Our official announcements of new books come in our newsletter. As soon as you get the newsletter, you can be assured that the Ingram books are for sale on Amazon. 

If you want to sign up for the Robert Anton Wilson Trust Newsletter, just fill out the form at one of our websites. This one’s fun to visit: http://rawtrust.com/

Thursday, February 29, 2024

Monday, May 8, 2023

A virtual gallery of RAW book covers


I have sometimes wondered what it would be like to see all of the book designs by Scott McPherson, aka amoeba design, for editions of Robert Anton Wilson's work published by Hilaritas Press. In my mind, it was a series of pictures hanging in an art gallery. But perhaps this is better: A virtual art gallery, posted on Twitter and available to everyone, that shows off the book covers. 


Friday, March 17, 2023

A really good short video on 'Illuminatus!'

 

I have featured  @amoebadesign videos on Illuminatus! before, but I do not remember seeing this one  recently posted on Twitter. Take a couple of minutes and watch.

More here. 

Thursday, January 19, 2023

New edition of 'TSOG' released


As Rasa says in the announcement, the new edition has another great cover from Amoeba. 

Hilaritas Press has announced the release of its new edition of one of Robert Anton Wilson's last books. The announcement is for the release of TSOG: The Thing That Ate The Constitution and other everyday monsters.

Hilaritas often seeks to add value by obtaining new pieces from modern writers, and this time around there are offerings from Bobby Campbell, Steve Pratt and Michael Johnson. Here's Rasa in the announcement:

"We are always looking for some commentary to include in these new RAW editions. We were lucky to get a new forward from Bobby Campbell, a new afterword from Steven James Pratt ('Fly' for those who know him), and as a special addition, there is a long essay included from RAW expert, R. Michael Johnson.

"Michael's essay is particularly interesting. This book ends with an intriguing mystery, if you will. RAW reserved the last chapter for a description of a book he intended to write, but never did. It was to be called, The Tale of the Tribe. No one really knows what RAW intended to write specifically, but we do have an outline. Michael's essay kinda astounded us as it began as a rumination on RAW's idea, but launched into a treatise that easily could be seen as a mirror reflection of one chapter in RAW's proposed title – an in-depth look at one member of the 'tribe.' 

"All three new essays are a treat: 

Prolegomena to Tsarist Overthrow 

Foreword By Bobby Campbell

TSOG: In Flight Entertainment 

Afterword by Steven James Pratt

Notes on Wilson, Vico, Language, and Class Warfare 

Essay by R. Michael Johnson."


The book has illustrations by Linda Joyce Franks, who also did the cover for the New Falcon edition; the new cover is another arresting effort by  amoeba. (See his Tweet).

The next book on the Hilaritas list is The Walls Came Tumbling Down and I would expect an announcement pretty soon, although I don't have a date. Reality Is What You Can Get Away With and Chaos and Beyond also are listed as coming soon, and a team of editors is hard at work on the recently-announced, not-yet-titled RAW book about Aleister Crowley. 

I have an archive of announcements from Hilaritas Press at the top right of this website,  under Official News; if you look, you can see if you've missed any recent news. 

Wednesday, October 26, 2022

Natural Law: Celebrity endorsements!


"Absolutely essential and fun!" -- RAW Semantics

"The gateway drug!" -- @amoebadesign

"My new favorite in the Wilson essay collection genre!" -- Chad Nelson

I am hoping that some of you will be persuaded to join the reading group for Natural Law Or Don't Put A Rubber on Your Willy And Other Writings From A Natural Outlaw from Hilaritas Press that I announced a schedule for on Monday.  (Starts Nov. 28).

Although the title essay was published in a journal called New Libertarian and consists of an argument Wilson made with several prominent libertarians, I would argue that it's not a "libertarian book" or a "libertarian RAW book." As Chad Nelson explains in this interview, the book's theme is really about model agnosticism. (To be clear, a "RAW libertarian book" would be fine with me, some other time. But that doesn't really describe Natural Law, in my opinion, or Chad's). 

Still not convinced? Here are a couple of "celebrity endorsements" from the world of RAW fandom.

Brian Dean, who writes the RAW Semantics blog, is decidedly not a libertarian, as far as I can tell from reading his Twitter account. 

Here is his review of Natural Law on Twitter: " I grok RAW best thru his *BOOKS*, & I found NL absolutely essential (& fun). Take a weekend & read it properly."

The cover artist, Scott McPherson, also is not a libertarian. Brian Dean and I both liked the cover, which as Rasa points out, references a RAW quote,  "Every perception is a gamble, in which we see part, not all, (to see all requires omniscience) and 'fill in' or project a convincing hologram out of minimal clues. We all intuitively know the obvious and correct answer to the Zen koan, 'Who is the Master who makes the grass green?' "

When we discussed the quote on Twitter, Scott said that he liked the book so much he made a departure from his previous covers: "Aye, this one is aimed at the general public and wellness mob ;)  it's meant to look like an appealing  book you would see in the Sunday papers.... it's a trojan horse design ;)  meant to suck you in.....

"Going for the non RAW fans with this one  .... the gateway drug I call it."

Chad endorses the book, too, of course, but some people might question whether he is totally objective, as he edited the book. Rasa likes the book, too!


Thursday, July 14, 2022

A good way to spend two minutes

 

amoeba VR Showreel 2020 [2 mins] from amoeba on Vimeo.

Scott from @amoeba, who does all of the book covers for the Hilaritas Press editions of Robert Anton Wilson's work, has released a new highlight real, about two minutes long, with bits from his various videos. It's two minutes of amazing images. I like to look at the videos that are displayed in modern art museums, and in the modern art sections of general art museums, and I don't see what any of these folks have over Scott. 

Saturday, June 11, 2022

About that great new book cover

 

There are a number of reasons to applaud the new Hilaritas Press editions of Robert Anton Wilson's books, but one of them clearly are the excellent book covers produced by Scott from the amoeba design company

I would someday like to see an exhibition of the covers, either in a physical location or online, but this Hilaritas page makes it pretty easy to browse the covers, and to appreciate that Scott does not take a cookie cutter approach  but attacks each cover assignment as a fresh challenge. (When do we get to buy prints of our favorite covers?)

I thought the cover for the just-published new edition of Wilhelm Reich In Hell was particularly striking, but while the book gives sole credit to Scott, I had the impression from some of Scott's comments on Twitter that in fact he got help from Eric Drass (see the shardcore website).

Scott replied, "Aye, i had the idea of a typesetters box and type due to bis books being burned, and needed some dreamlike images for polaroids from hell, so i asked the darklord of machine learning @shardcore. 

"These were neural net / text prompt GAN created, and used in the photos in the box."

The reference to GAN soared above my computer software IQ, so I asked Scott to "explain his explanation" to borrow RAW's memorable phrase, and he kindly obliged:

"A GAN is the term for the overall use of training machine learning to do things.  Generative adversarial network.

"A GAN  generative adversarial network is a class of machine learning frameworks designed by Ian Goodfellow and his colleagues in June 2014. Two neural networks contest with each other in a game. Given a training set, this technique learns to generate new data with the same statistics as the training set."

Scott pointed me to this website and said, "This is a GAN thats doing the rounds on twitter, its a more advanced version of what we used....

"Search twitter or google images for Dall-E  u will get the jist of that particular GAN, but its just one of millions of uses, not just imagery, writing, scripts, editing and creation in ausio/video/imagery/3D objects/3D meshes for models/game mechanics."

I mentioned to Scott that I've experimented with making art using software (see this blog post) and he replied, "That's a GAN."

Only a few of the images generated by this process were used for the final cover; Scott gave me access to dozens of images and said I could use what I liked, so here are a few:

"A pen and ink drawing of Robert Anton Wilson," used on the cover. 


                                                      "RAW" also used for the cover

"A woodcut of Wilhelm Reich in hell" (cover may use part of it, I was not sure)


                                            "A Daguerrotype photograph of Wilhelm Reich"


                                                             "Wilhelm Reich tripping" 

Friday, February 18, 2022

Rasa on the new RAW book


Rasa, who runs the RAW Trust and the trust's publishing imprint, Hilaritas Press, on behalf of RAW's daughter, Christina Pearson, worked closely on the new Robert Anton Wilson book, Natural Law Or Don’t Put A Rubber On Your Willy And Other Writings From A Natural Outlaw, with the book's editor, Chad Nelson. Rasa agreed to take a couple of questions from me about the new book.

See also my interview with Chad Nelson and the comments from the book's cover artist, Scott McPherson. 

How did the contents of NATURAL LAW Or Don’t Put A Rubber On Your Willy And Other Writings From A Natural Outlaw evolve as you worked with Chad on the book? What do you think of the book in its final, published form?

Rasa: A couple years ago I started thinking about expanding RAW’s short book, Natural Law, Or Don’t Put A Rubber On Your Willy, with essays that I thought might fit the book's theme. Given that the occasion of RAW writing this long essay was in a Libertarian forum, I thought to search for words from RAW that might be in a similar vein. I found a lot of material. RAW once said in an interview that he wrote “thousands” of articles. That may be true. I found a lot of cool stuff: an interview RAW conducted with Doris Lessing, published in New Age Journal in 1983; an interview of RAW, titled "Illuminating Discord," in New Libertarian Notes/Weekly 39, 1976; quite a few articles by RAW in A Way Out, the School of Living magazine RAW edited. Paul Krassner, a couple years before he passed away, told me that I was welcome to use any of the articles RAW wrote for The Realist, so I started collecting those. I found a few good articles from The Berkeley Barb newspaper. RAW archivist Martin Wagner was helpful in getting a lot of stuff together, but at some point, one of the other Hilaritas Press projects started to jell, so I put Natural Law to the side, until I had the thought to ask Chad Nelson if he might like to spearhead the project. Chad had been communicating with the RAW Trust and Hilaritas Press for several years… offering to help, suggesting some cool ideas. Chad was thrilled with the idea, and so I passed on all of the stuff I collected, and he went through it all, and began collecting even more material. 

I decided at that point to reread Natural Law, and both Chad and I agreed that the essay was less about politics and more about Model Agnosticism. Chad then started looking at all the essays with that thought in mind, separating them into two piles. He thinned down the Model Agnosticism pile to what we ended up using in the book. I read through all of Chad’s selections, really enjoying them, and wondering only what order to use in arranging them in the book. Chronological order ended up making the most sense, for the most part. We were using writings from 1959, 77, 78, 84, 87, 88, 90, 99, but, deciding to change the final work in the collection, Chad had the great idea of including a piece of fiction from 1972.

As for what I think of the book, well, it’s hard to be completely objective, but I was very impressed with Chad’s selections, and reading through the whole book once it was assembled, it just felt really solid to me – info-rich and very entertaining. 

What were you attempting with the latest Scott McPherson cover? It seems like a break from previous covers, and Scott has said he was trying to reach out for a wider audience for RAW's books.

Rasa: I wasn’t attempting anything with Scott’s cover for Natural Law. Christina and I are totally thrilled with the ideas Scott creates, mostly without a lot of prior input from us. With the first couple of book covers that Scott did for Hilaritas Press, he would send us a number of very different ideas for the cover of each book. We would usually ask him to use parts of one cover, and parts of another, as we sometimes really liked the fonts he chose on one, but preferred the background art from another proof. We immediately saw that Scott had a brilliant understanding of how to translate RAW’s work into a great graphic representation. And so with later covers, he had a good idea of what we liked enough that he was usually making one design, and sending us a few versions with slightly different colors and fonts. I think it was only with The Starseed Signals that Scott and I went back and forth a number of times with different cover ideas, each of us offering evolving thoughts. We were both thinking to have Bob and Tim on the cover somehow, but we we’re never quite happy with each new iteration. Finally, Scott put Tim inside of Bob’s crystal pyramid, and that just looked perfect. 

With Natural Law, Scott’s cover was a complete surprise, and a delight, when it arrived. I got immediately the reference to “Who is the master who makes the grass green,” probably in part because I chose that paragraph from the book for part of the text on the book’s back cover. I thought it was a wonderful, very bright, clean and inviting cover design. I think all of Scott’s cover design’s draw the reader in in different ways. This one seems very light and innocent, inviting you into a pleasant soothing image, and then you read the title – I think that creates a very pleasant moment of cognitive dissonance as a smile begins to appear on your face… “don’t put what, where?” 

Wednesday, January 26, 2022

Chad Nelson talks about the new Robert Anton Wilson book


Last year, as one of the volunteers who helps Rasa with the publications at Hilaritas Press, I helped copyedit what is now the newest Hilaritas book by Robert Anton Wilson, Natural Law Or Don’t Put A Rubber On Your Willy And Other Writings From A Natural Outlaw. 

The book is not simply a reprint of the long essay, long out of print, in which Wilson argues against the idea of "natural law" as a basis for libertarianism, an argument he carried out on the pages of New Libertarian in 1985. In the new book, the reprint of "Natural Law: Or Don't Put a Rubber On Your Willy" takes up about 80 pages. But there are another 145 pages of additional Wilson -- articles and two interviews -- selected by Chad Nelson, the book's editor.

The book originally was intended as a collection of RAW's political writings. Instead, as Nelson writes in the book's introduction, the book's material actually focuses on model agnosticism, a bedrock RAW philosophy. Or to put it another way, it's not a libertarian book, it's a RAW book, and a really good one.

I read the new Natural Law last year, minus Nelson's introduction and the reprint of John Higgs' "Happy Maybe Day" newspaper column for the Guardian. I became very enthusiastic. I resolved to do my best to promote the book when it came out. (Full disclosure: I am mentioned in the acknowledgements, although I actually had little to do with helping the book take shape.)

Nelson is an attorney and Robert Anton Wilson scholar.  He is the Senior Planned Giving Officer at the Rhode Island School of Design and also a practicing estate planning attorney. (The name of the school nagged at me, it somehow seemed familiar, until I realized it was where the three founding members of Talking Heads, David Byrne, Chris Frantz and Tina Weymouth, had been). 

When I asked Chad if he would take some questions about the book, he agreed, so here we go: 

RAWIlliumination.net: What do you think of the new book? Are you satisfied with how it came out?

Chad Nelson: I am thrilled with how the book came out. I'm biased, of course, but it might be my new favorite in the Wilson essay collection genre. 

I'm as much thrilled with the finished product as I am with the process it came out of. It evolved conceptually in a way Wilson fans might find interesting. It was initially conceived of as a collection of essays showcasing Wilson's political thought over the course of his life, with Natural Law, Or Don't Put a Rubber on Your Willy, as the lead essay. We were  thinking of a companion to TSOG, but one that covered more of Wilson's earlier political thought from the '50s through the '70s. 

Eventually, after we had assembled about 20 "political" essays, we realized that most of them were concerned far less with politics than with model agnosticism. There is certainly overlap between the two themes in much of Wilson's work, but we decided that model agnosticism was really the predominant theme we were seeing in what we had pulled together. I also tend to think it's more foundational to Wilson's philosophy.

So we had a "lightbulb moment," as it were, where we looked at each other and said, "Gee, maybe we can pivot and create something far more interesting than we'd originally envisioned." We shelved several of the more overtly political tracts and focused exclusively on Wilson's writings on model agnosticism. The project really became fun when we made that pivot explicit. Wilson scholars know how much model agnosticism underlies his worldview, so the idea that there would be a newly published book of essays and interviews spanning five decades where we get to see him riff on that theme very directly, over and over again, in a variety of different ways, was one of the coolest moments for me. 

I've probably read the book 5 times through the course of editing it, and with each read I realize just how special the content is. Of course, there is no single book one can pick up and understand the breadth of Wilson's scholarship. You really need to take it all in. But if there was one non-fiction piece to start with, this might be it.

Chad Nelson

RAWIllumination.net: When you talk about "we" as the book evolved, do you mean discussions between you and Rasa? Were you given complete leeway to make the final decisions on what would be included in the book? And how hard was it to obtain the various permissions? 

Chad Nelson: Rasa and I collaborated on content decisions. He gave me pretty broad license on decision-making though, and in the end, everything I felt belonged in the book wound up included, and the essays I didn't feel were a good fit got shelved. We were both reassured knowing that we had you and Jesse there to offer input on what you'd seen as well.

Getting permissions was a surprisingly easy process. All of the publications that are still in existence offered their material without issue. It was fun to engage with them and explain what we were up to.

RAWIllumination.net: Have you read "Email to the Universe"? I ask because the new edition of "Natural Law" reminds me of "Email," i.e. a carefully curated collection of some of RAW's best short pieces, written over a span of many years.

Chad Nelson: I love Email. I wanted "Left and Right: A Non-Euclidian Perspective" in this volume, but Rasa reminded me that it was already in Email.

Murray Rothbard (Creative Commons photo)

RAWIllumination.net: I loved the bit in your introduction about Murray Rothbard coining the term "Natural Outlaw" to refer to RAW. [Note the full title of the book: "Natural Law, Or Don’t Put A Rubber On Your Willy And Other Writings From A Natural Outlaw."] Who were the six people in the debate, and who was the other "Natural Outlaw"? Have you read Rothbard? He and RAW were both antiwar, although obviously they had differences.

Thanks! The others in the debate were Wilson, Samuel Edward Konkin III, George Smith, Jeff Riggenbach, Robert LeFevre and L.A. Rollins. Rollins was the other "outlaw". It was amusing to see the natural law proponents refer to themselves unironically as "lawmen." What self respecting libertarian wants that moniker?! 

I do have a profound respect and appreciation for Rothbard. He's a personal favorite of mine -- I've learned so much from him. Even when he went in a right-wing, "paleolibertarian" direction later in his career, advocating for national borders and strict immigration controls (notions I despise), I enjoyed his writing. It was always full of flair and he was often very humorous. I appreciate those qualities in political talking heads, even if I don't like their underlying views. Most of today's political "thought leaders" seem utterly devoid of humor and incredibly boring. 

RAWIllumination.net: What's your opinion on the cover? As the editor, did you participate in discussions with @amoebadesign, or was that between Rasa/Christina and @amoebadesign?

Chad Nelson:  I was very surprised at how different it was from Amoeba's previous Hilaritas covers, and how well it fit the content. 

I'm sure Rasa had input, but I think we largely let Amoeba do his thing. I wasn't involved at all in the process. I know the green grass evokes some very specific material in the book that I'll leave as a surprise for readers, but it also seems to me to be a larger metaphor for the book's ideas. To me the simplicity Amoeba dialed up is a perfect visual reprentation of the vast openness, lightness, clarity, bliss -- all of those things that one experiences when they begin to play with model agnoscistism. [See this post for more on the cover.]

RAWIllumination.net: Can you tell us a little bit about yourself and how you get involved in the "Natural Law" book project?

Chad Nelson: I was first turned on to Wilson ten or so years ago after watching some of his "stand up philosophy" performances on YouTube, and reading the Illuminatus! Trilogy. But it was really his non-fiction work that I dove into after Illuminatus! which turned my fascination with his ideas into what now seems like a full-time study. The two that really grabbed me were Quantum Psychology (1990) and The New Inquisition (1986). It's not a stretch to say that reading Wilson has transformed the way I think and operate in life. Thanks to RAWIllumination.net and the handful of other sites devoted to archiving and keeping his work alive and circulating, I've never felt like there is a shortage of new places to turn. 

In any event, Rasa recently pointed out to me that I first contacted him when Hilaritas Press was founded, offering my services. I think it was in 2015. I was willing to do basically anything to assist their work. I really just wanted to be involved in whatever he and Christina planned on doing with Hilaritas. I had previously been involved with Center for a Stateless Society (c4ss.org) and Antiwar.com as an editor, so I thought I had something to offer. Rasa and I maintained an ongoing dialogue after that (which mainly consisted of me trying to pry secrets out of him -- i.e., what they were working on and when their next title would be released). Then around this time last year he asked if I would edit the new Natural Law edition, which of course I jumped at. Natural Law is particularly important to me because I've always felt it's the most underappreciated book in the Wilson canon. I've never told Rasa this, but when I first saw it on the list of scheduled Hilaritas publications, I sort of mentally flagged it as the most exciting one they planned to put out -- that maybe this time it would get the attention it deserves.  So I guess the stars really aligned here. 

H.P. Lovecraft's grave (photo by Chad Nelson)

RAWIllumination.net: You live in Providence, which of course is where H.P. Lovecraft lived, and which as a result is one of the named settings in Illuminatus! Have you visited any of the places associated with Lovecraft? 

Chad Nelson: I have visited all of the ones I know about. A few of them I have unintentionally stumbled upon. That's always amusing when it happens: "Oh look, a Lovecraft monument on this random street light." His gravestone is probably the coolest site. It's in this beautiful private cemetery called Swan Point  where a lot of Rhode Island's prestigious families are buried. It's always adorned with the most random stuff, and I understand there are "weird" ceremonies around it at different points of the year. I wish somebody would invite me to one of those! 

RAWIllumination.net: Don't you actually own a sculpture of Robert Anton Wilson? Where do you display it? Weren't there actually negotiations with your wife on where to display this priceless piece of art?

Chad Nelson: I do, but it fell and part of RAW's nose broke off so it lives in a drawer now. All of that negotiating for it to be displayed on the bookshelf was for naught, I guess. I do have a RAW coffee mug that I use most days, at least!


RAWIllumination.net: You mentioned reading "Illuminatus!" I have read it over and over again. Have you read RAW's other fiction, or do you prefer the nonfiction?

Chad Nelson: Me too, though I haven't re-read Illuminatus! in a while. Sometimes I pick it up off the shelf looking for a specific Hagbard Celine quote though. The one I've wound up reading over and over again is the Schrodinger's Cat Trilogy. The new Natural Law collection actually includes a 1972 short story from the inaugural issue of Gallery that wound up being adapted into one of the characters in Schrodinger's Cat. That Gallery piece may be my favorite single individual writing from Wilson, and I was so glad it found a permanent home in this book. Gallery described it as a story about "the life and death of a Reichian rebel." I look at it as the story of a fictional hero who takes many of Wilson's ideas (including model agnocistism) to the extreme.

All that said, I do have a strong preference for Wilson's non-fiction.



Saturday, January 22, 2022

Natural Law's cover art


On Twitter, the RAW Semantics Twitter account says, "Excellent cover for the new Hilaritas Press edition of RAW's 'Natural Law'  (by  @amoebadesign I believe)."

Yes, it was done by @amoebadesign, Scott McPherson, and as Rasa remarks, it references a RAW quote, "Every perception is a gamble, in which we see part, not all, (to see all requires omniscience) and 'fill in' or project a convincing hologram out of minimal clues. We all intuitively know the obvious and correct answer to the Zen koan, 'Who is the Master who makes the grass green?' "

I remarked to Scott on Twitter that Chad Nelson and I both admire the cover and thought it seemed like a departure from his previous covers, and he remarked, "Aye, this one is aimed at the general public and wellness mob ;)  it's meant to look like an appealing  book you would see in the Sunday papers.... it's a trojan horse design ;)  meant to suck you in.....

"Going for the non RAW fans with this one  .... the gateway drug I call it."

I remarked, "Yes, it kind of reaches out to the unconverted, doesn't it? I thought it was a really good collection. I suspect many RAW fans will like it, but I also hope it reaches other people, and you've contributed to that cause."

Scott replied, "The content is king ;) doing that type design style cover helps get it through to unsuspecting types I'm hoping ;)"


Saturday, November 27, 2021

Excellent 'Illuminatus!' themed video

 Here's a new Illuminatus! themed video from @amoebadesign. About two minutes, be sure to give it a look. (It's not on YouTube, so I can't figure out how to embed it here.) On Twitter, he explains, "Thinking of the late big jake black/Rev D.Wayne Luv today, been a lot of Hagbard Celine/Crowley/Jim jones/Illuminatus Trilogy/Robert Anton Wilson/Fake Festival Ritual/ synchromeshery going on in the amoebawurld...Cheers Jake u were the best Hagbard in VR.."

More here. 


Saturday, December 5, 2020

Another cool @amoebadesign video, and there's music

 


@amoebadesign on Twitter (i.e. Scott McPherson, the guy who does all of the wonderful covers for the Hilaritas Press editions of RAW's books) just put up another Illuminatus! inspired video on Twitter.  Be sure to watch it. 

He's set up a small record label  where "there's two Illuminatus themed albums and two dubby deep ambient mumbly ones." He explains, "The non Illuminatus electronic albums are soundtracks to live my live AV performances i do, so they are mellow, dubby, ambidubstrial drify things with field recordings from Russia with soft kicks and hats etc, techno to drift away to ;)"

See this video, too. 

Sunday, May 24, 2020

Hilaritas releases 'The New Inquisition'


Hilaritas Press, the publishing imprint of the Robert Anton Wilson Trust, has just released a new edition of The New Inquisition.

The book features a new introduction by Douglas Rushkoff.

Other news from Hilaritas: An audiobook of Cosmic Trigger II will be out soon!

Read the whole thing news release. 

More information on the new edition. 


Monday, November 18, 2019

Cool 'Illuminatus!' video

HAGBARDS LOST UHF TRANSMISSION// LEIF ERIKSON KABAL - SUBMERGE from amoeba on Vimeo.

Spotted on Twitter (thanks to Bobby Campbell's essential RAW Twitter account) a cool video based on the underwater scenes in Illuminatus! from amoeba, cover artist for the Hilaritas Press reissues of RAW's books. 

Here is where you can buy two EPs, Hagbards lost uhf broadcasts 1 and 2.

Sunday, September 8, 2019

Our new reading group has a logo!


Not too late to join our new reading group for The Widow's Son, and the comments in Week Three are starting to heat up.  And Rasa has  now done a meme for  us! Thanks Rasa! (It seems to me that one of the advantages of RAW fandom is that he inspires some quite good artists, e.g. Bobby Campbell, Rasa, amoeba, all of those folks who do Adam Gorightly's Eris of the Month, etc. etc.)