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Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Friday, January 14, 2022

David Bowie remains a big rock star and fascinating person

 

David Bowie (Creative Commons photo by Adam Bielawski)

People have wondered for awhile whether David Bowie, the talented and fascinating British rock star, might have been interested in Robert Anton Wilson.  Here are a few sentences from Oz Fritz, who wrote about Bowie in 2016 after the sudden news arrived of Bowie's death from cancer. (In spite of his stardom, Bowie has managed to keep the news of his illness private, so the news was a terrible shock. But despite having no warning, Oz wrote a very substantial article, as you can see.)

I recall someone in the online Crowley course RAW gave posting a rumor or anecdote that David Bowie had been seen at a RAW talk in the LA area in the early to mid '70's. I never did discover the actuality of that, but it seems plausible. Bowie lived in LA at that time and traversed similar experimental territory with RAW. They both practiced qabala and magick and both used it in their artistic expression.

Bowie also appeared completely dialed in to the space migration, extra-terrestrial intelligence, Starseed Transmissions gestalt that RAW and Leary were promoting in the '70s ..... [Much more at the link.]

I have thought about Bowie again this week, after running across "Hunky Dory Turns 50," about the album sometimes seen as one where Bowie found his stride. 

Hunky Dory is the album that includes "Changes." When I looked up the album on Wikipedia, I discovered that it has a song, "Oh! You Pretty Things" that "reference the teachings of the occultist Aleister Crowley and his Golden Dawn and the philosopher Friedrich Nietzsche, particularly with the lines 'the homo superior', 'the golden ones' and 'homo sapiens have outgrown their use'."

The Hunky Dory article also mentioned something else that's interesting: 1971 apparently is considered a year that provided the peak of classic rock:

"The classic rock era arguably launched in 1971, seeing the release of a multitude of iconic LPs. Specifically, these foundational and ground-breaking albums ranged from the Rolling Stones’ Sticky Fingers to Funkadelic’s Maggot Brain; and from Joni Mitchell’s Blue to Marvin Gaye’s What’s Going On; and from Carole King’s Tapestry to Led Zeppelin IV. As the year ended—on 17 December—a 24-year-old British singer-songwriter David Bowie released Hunky Dory, a record whose musical versatility and genius rivals any of the Beatles’ late ’60s catalog."

There's a book about this, Never A Dull Moment: 1971 The Year That Rock Exploded by David Hepworth.

I am not a David Bowie expert but I have an old friend, Gary Shindler, who actually is, and so I asked Gary if he could help me by giving me his list of the top five Bowie albums. Gary kindly obliged, so exclusively for this blog, here is Gary's list:

1. Scary Monsters
2. Man Who Sold the World
3. Station to Station
4. Low
5. Aladdin Sane

"His catalog is vast and simplifying it to five albums isn't easy," notes Gary, a fan of the Hunky Dory album. 


Sunday, February 2, 2020

'H.G. Wells & the Spiders from Mars'


I love the title, don't you?

Announcement from John Higgs:

"I've written a play called 'H.G. Wells & the Spiders From Mars.' It's a one-man play (well, one visible man) and it stars Oliver Senton, who played Robert Anton Wilson in the Cosmic Trigger play. It's being directed by Daisy Campbell.

"Here's the blurb:

Geniuses collide when an invisible muse ‘Ziggy’ crash lands into the Edwardian living room reality of the ‘Godfather of Science Fiction’ H.G. Wells, inspiring him to write his greatest works: but can H.G. surrender to his muse and help provoke an evolutionary leap in the collective imagination? What can myth-making genius teach us about the urgent need to alter our cultural narrative. Could we be heroes?

A time-traveling one-man fusion of theatre, music-hall magic & Bowie-inspired songs, with razor sharp digital sets.

"It's still in development, but it will be presented as a work-in-progress at the Cockpit Theatre on April 3rd. This will be partly fully staged and partly a readthrough, and I'll be doing a Q&A. More on this next time but for now, if you're likely to be around London on Friday April 3rd, keep the date free."

More John Higgs news from the latest newsletter. 

(The Widow's Son reading group will return soon.)