A performance of Don Giovanni in Vienna
3.Comic Opera
By ERIC WAGNER
Special guest blogger
On page 296 Rosen writes that the listener "must have an educated ear to know what to listen for, educated in the stylistic language and not just in the superficial formalities." I hope this study group helps us all develop educated ears.
One might see Don Giovanni, which deals with a man who sleeps with over a thousand women, as a meditation on the Manosphere. Joseph Kerman discusses dealing with problems of this opera in an essay in "Write All These Down".
I like the discussion of Mozart as subversive and dangerous on page 325.
I came to Don Giovanni backwards. I didn't know the opera at all when I read Rosen's The Romantic Generation when it came out in 1995. In that book he discussed Franz Liszt's Reminiscences of Don Juan, a piano fantasy based on Don Giovanni. In 1995 a CD by Rosen came out also called The Romantic Generation which included that piano piece. Rosen had quoted with approval George Bernard Shaw who said that the best way to appreciate the Liszt piece was to memorize the opera and then to forget it. Instead I fell in love with the piano version, and over the past 31 years I have slowly gotten to know the opera. One might see Liszt as the first rock star. He travelled around Europe performing piano recitals. Women would make bracelets out of his broken piano strings. He had a reputation as a Don Juan, so he plays with his own myth in his piano fantasy. https://www.youtube.com/watch?v=jlBYflI8dLM&list=RDjlBYflI8dLM&start_radio=1
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