An announcement of an opera, The Ticket That Exploded: An Ongoing Opera.
"Based on William Burroughs’ 1962 dystopian novel about identity disintegration, oppression of humanity’s collective consciousness through technological influence, and revolution through the subversion of those very technologies.
"Featuring live vocalists Ted Hearne, Nick Hallett, Anne Rhodes, and Megan Schubert, video vocalists Melissa Hughes, Steve Dalachinsky, and Ryan Opperman, an ensemble of thirteen instrumentalists, and live video projections from Jason Ponce, the opera will be organized using the same cut-up techniques and emphasis on fragmentation of language that distinguishes Burroughs’ literary work.
"An ongoing opera is one which has set material but is perpetually reconfigured during the performance, mixing composed material with indeterminate composition strategies and conducted improvisations. With zero staging, all visuals are conveyed through projected live video manipulations. Pre-recorded video performances will facilitate vocalists to interact with other vocalists who are not present, or even to sing a duet with themselves. These efforts to perpetually repurpose the musical and visual content of the opera are a direct effort on my part to draw comparisons between the performative and the generative-- to make the very act of reorganizing materials function both as a blueprint for making art and as art itself."
Hat tip: Jesse Walker, currently fending off an attack from a Randroid named Tibor Machan.
Walker: "“Every one of us has our perceptions filtered by the thousands of stories and assumptions and rituals that constitute our culture. Every one of us has held beliefs that seemed self-evidently accurate but were actually contingent elements of the time and place that produced us. This is true not just of the people reading this article, but of every person, in every era, who has been capable of perceiving anything at all. You can stretch those perceptions, expose yourself to new worldviews, learn new things, but you’ll always be embedded in a cultural matrix." Machan: "The passage exemplifies just such a viewpoint, whereby no one is capable of objectivity and everyone is caught in some set of preconceptions."
Jesse didn't actually say that no one is capable of an objective opinion, but never mind. Objectivism today, objectivism tomorrow, objectivism forever!
"The Ticket That Exploded" remains one of my favorite Burroughs titles, and one I recommend to audio engineering students for the experiments with tape recorder magick. I wonder how/if the opera will present that. In any case, thanks for the news, I'll definitely check it out if I get to NY during its run.
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